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It was released in theaters in North America as just Azur & Asmar. It is Ocelot's fourth feature, though his first wholly original creation since Kirikou and the Sorceress, and his first use of 3D computer graphics, albeit an atypical employment of this medium with two-dimensional, painted backgrounds and non-photorealistic rendering. Like most of his films it is an original fairy tale, in this case inspired by the folklore (such as the One Thousand and One Nights) and decorative art of Maghreb, Algeria and especially Morocco [1] and with an increased degree of characterisation relative to his previous works which pushes it into the genre of fairytale fantasy. The original-language version of the film has significant amounts of dialogue in both French and Arabic; however, the Arabic was not subtitled in the original French theatrical release and is not intended to be subtitled nor replaced for any other audiences. [2] Plot[edit] Once upon a time there were two children nursed by Jénane: Azur, a blond, blue-eyed son of a nobleman, and Asmar, the tan skinned and dark-eyed child of Jénane. The nurse tells them the story of the Djinn-fairy waiting to be freed from her prison by a good and heroic prince. Brought up together, the two boys are as close as brothers until the day Azur's father cruelly separates them, banishing his nurse and Asmar from his home and sending Azur away to receive schooling from a personal tutor. Years later, Azur is haunted by memories of the legendary Djinn-fairy, and takes it upon himself to journey all the way to Asmar's homeland to seek her out and marry her. Now reunited, he finds that Jénane has since become a successful and rich merchant, while Asmar is now a member of the Royal Guard. However, Asmar and Azur's separation has damaged their bond and Asmar also longs to find and marry the Djinn-fairy. They must learn to work together and get along again, but only one of the two princes can be successful in his quest.
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