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82021Dune - Première partie7. 92023Le Cercle des neiges6. 52023Wish, Asha et la bonne étoile5. 52021Meteor7. 12023Hunger Games : La Ballade du serpent et de l'oiseau chanteur6. 42023Rebel Moon - Partie 1 : Enfant du feu5.

The third compilation film, titled Code Geass: Lelouch of the Rebellion III - Glorification (コードギアス 反逆のルルーシュ 皇道, Code Geass - Hangyaku no Lelouch - Ōdō, "Code Geass: Lelouch of the Rebellion: The Imperial Path") was released in theaters on May 26, 2018. [22] Each film has several changes to the storyline, as Taniguchi stated, to give it more of a "what if" scenarios leading to the new film. [23][24] Code Geass: Lelouch of the Re;surrection (コードギアス 復活のルルーシュ, Kōdo Giasu: Fukkatsu no Rurūshu) movie was announced on November 27, 2016. [25][26][27][28] It was released in theaters in Japan on February 9, 2019. [29][30][31] It takes place in the alternate continuity established in the recap films and is a sequel to the "Zero Requiem" arc of that continuity. [32] A new anime titled Code Geass: Z of the Recapture was announced on December 5, 2020, Lelouch's birthday. [33] The new anime project is part of a new 10-year plan for the franchise by Studio Sunrise, with Yoshimitsu Ohashi is directing the anime, Noboru Kimura writing the scripts, and Takahiro Kimura returning to design the characters. [34] It was later announced to be a 4-part film series titled Code Geass: Rozé of the Recapture, with the first part releasing in Japanese theatres in May 2024. [35] In celebration of the new anime, the Code Geass Lelouch of the Re;surrection movie was re-released in 4D in Japanese theaters on January 29, 2021. Akito the Exiled[edit] Main article: Code Geass: Akito the Exiled The new Code Geass series was first revealed on December 5, 2009. [36] In April 2010, it was officially revealed that a new Code Geass side story anime called Code Geass: Akito the Exiled (コードギアス 亡国のアキト, Kōdo Giasu: Bōkoku no Akito) would be directed by Kazuki Akane (The Vision of Escaflowne).

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While some of them were doubtful of that at the time, Watanabe many years later expressed his happiness to have been proven right in retrospect. He joked that if Bandai Visual had not intervened then "you might be seeing me working the supermarket checkout counter right now. "[36] The city locations were generally inspired by the cities of New York and Hong Kong. [40] The atmospheres of the planets and the ethnic groups in Cowboy Bebop mostly originated from Watanabe's ideas, with some collaboration from set designers Isamu Imakake, Shoji Kawamori, and Dai Satō. The animation staff established the particular planet atmospheres early in the production of the series before working on the ethnic groups. It was Watanabe who wanted to have several groups of ethnic diversity appear in the series. Mars was the planet most often used in Cowboy Bebop's storylines, with Satoshi Toba, the cultural and setting producer, explaining that the other planets "were unexpectedly difficult to use". He stated that each planet in the series had unique features, and the producers had to take into account the characteristics of each planet in the story. For the final episode, Toba explained that it was not possible for the staff to have the dramatic rooftop scene occur on Venus, so the staff "ended up normally falling back to Mars". [41] In creating the backstory, Watanabe envisioned a world that was "multinational rather than stateless". In spite of certain American influences in the series, he stipulated that the country had been destroyed decades prior to the story, later saying the notion of the United States as the center of the world repelled him. Hemmings Motor News. Retrieved 20 August 2018. ^ "1969 Pontiac GTO Judge". howstuffworks. com. 15 January 2007. Retrieved 17 January 2021. ^ Babiasz, Joe. "1969 GTO Judge Buyer's Guide". Autotraderclassics. com.