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The first includes Parts 1 to 6, detailed in Weekly Shōnen Jump from 1987 to 2003, while the second includes Parts 7, 8, and 9, detailed in seinen magazine Ultra Jump from 2004 to the present. The plot across these stories is supplied in multi-chapter arcs detailing precarious, melodramatic conflicts between parties defined both by unique supernatural powers,
mainly by the versatile Stand phenomenon, and exclusive ambitions,
attitudes or moral standards. These arcs vary in tone, alternating adventure, suspense, mystery, and horror; always through action, and with frequently embedded comedy. Typically, a race emerges among the heroes of a story to intercept a powerful central antagonist. Many references to modern film, television, fashion, fine art, and popular music are readily identifiable throughout JoJo in many settings and both the characterization and nomenclature of the cast. Examples of physical, mathematical and psychological theory, biology, technology, mythology, natural phenomena, historic events, and segments of other artistic work inform the design and functionality of the multitude of unique Stands. The series occasionally makes fanciful developments upon contemporary scientific theory in creation of the routes by which certain Stands and other powers exert their influence on nature. Morioh, fictional Japanese town and base of Diamond is Unbreakable and as a distinct incarnation in the ongoing JoJolion shares its coordinates with Araki's hometown, Sendai,[5] assuming a more culturally detailed description and referencing more contemporary topics (such as the 2011 Tohoku earthquake) than other settings. Additionally, Stand-wielding mangaka Rohan Kishibe, a resident of Morioh introduced in Diamond is Unbreakable, returns as a guide in a number of JoJo spin-offs. Hirohiko Araki, asked in 2006 to describe the subject of JoJo in a phrase, answered "the enigma of human beings" and "a eulogy [to] [the] human";[6] and as his attitude to manga, "the salvation of the heart". [7] Subjects in the text of the manga may be condensed under themes of DestinyW, CourageW and JusticeW.
^ "Finalists for the American
Anime Awards". ICv2. February 8, 2007. Archived from the original on July 7, 2009. Retrieved May 30, 2009. ^ "American Anime Award Winners".
The entire drama involves Shin and his most personal relationship with Lena's past, where her brother saved her during the war a few years ago. Shin, or "Undertaker", is someone who has a disturbance in his mind of listening to other people in the District who have already died. This leads to the assumption that the Legion uses the brains of these dead humans to fortify
their machines and fight the Juggernauts of San Magnolia. Shin, because he thinks he is "dead" and because he wants to find his brother's brain, has been searching for 5 years for a human peace within himself.
And being a human is one of the themes of the show. All this social pressure that is
imposed on the District causes an increasingly oligarchic policy, where the rich and generals are decorated with many merits, while for the soldiers of '86, they are nothing more than Pigs (or "Buta Yarou"), people without any charisma or who do not like them in any way, because they are the same segregationists.