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^ Mateo, Alex (March 1, 2023). "Demon Slayer: Swordsmith Village Arc Anime's Trailer Reveals April 9 Premiere". Anime News Network. Retrieved March 1, 2023. ^ Loo, Egan (June 11, 2023). "Demon Slayer: Swordsmith Village Arc Anime's 70-Minute Finale Airs on June 18". Anime News Network. Archived from the original on June 11, 2023. Retrieved June 11, 2023. ^ Loo, Egan (June 18, 2023). "Demon Slayer Manga's Hashira Geiko Arc Gets TV Anime".

Retrieved September 7, 2023. ^ @mashle_official (June 13, 2020). #マッシュル 1巻まさかの売り切れ続出!ありがとうございます!(驚いております) 購入を迷っているみなさま!今も一縷の望みをかけて絶賛拡散中の第1話はこちらから読めます💪💪 (Tweet) (in Japanese). Retrieved June 14, 2020 – via Twitter. ^ @mashle_official (April 26, 2021). 【#マッシュル 140万部突破!!️】 (Tweet) (in Japanese). Retrieved April 26, 2021 – via Twitter. ^ Weekly Shōnen Jump Editorial Department [@jump_henshubu] (August 24, 2021). /フォロー&RTで当たる🎉\ 『#マッシュル-MASHLE-』発売中の少年ジャンプ38号表紙イラストを B2サイズのポスターに✨3名様にプレゼントします!!️ (Tweet) (in Japanese). Retrieved September 27, 2021 – via Twitter. ^ Animate Umeda [@animateumeda] (March 4, 2022).

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Rex For the manga series, see 20th Century Boys. "20th Century Boy"Picture sleeve from GermanySingle by T. RexB-side"Free Angel"Released2 March 1973GenreGlam rock[1][2]hard rock[3]Length3:39LabelT. REX (UK)Ariola (Germany)Songwriter(s)Marc BolanProducer(s)Tony ViscontiT. Rex singles chronology "Solid Gold Easy Action"
(1972) "20th Century Boy"
(1973) "The Groover"
(1973) "20th Century Boy" is a song by T. Rex, written by Marc Bolan, released as a stand-alone single on 2 March 1973. [4] It entered in the UK Singles Chart at number 3, on 10 March 1973 and peaked three weeks in a row at that position. [5] It stayed a total of nine weeks in the UK Chart. [5] "20th Century Boy" was not featured on the album Tanx, released at the same time in early March. It was later added as a bonus track in the reissues of Tanx from year 1985 and on all the versions released since. The song returned to the UK Top 20 in 1991, peaking at No. But narratively, it shines through most brightly in the way that Suzume’s chance encounter with Sōta brings her face-to-face with a door to another dimension — and a trickster cat deity called Daijin (Ann Yamane, Lena Josephine Marano) who’s more than happy to leave the door open and let the worm monster try to cross over into Japan. In one of Suzume’s first shifts toward action that really speaks to how wondrously studio CoMix Wave Films is able to bring Shinkai’s ideas to life, there’s barely any time for Sōta to explain what the worm is or how he’s part of a long line of “closers” who’ve worked to keep its tendrils from crashing into the Earth and causing earthquakes. Suzume’s a quick enough student, though, and after she and Sōta manage to close the first portal, it isn’t long before she decides that she absolutely needs to accompany him on his journey to close more of them and make Daijin return to his post as a guardian keystone statue. In the same way that it was easy to read Shinkai’s Weathering With You as a reflection of what it means to live in a world upended by extreme climate change, in Suzume, you can clearly see Shinkai grappling with the Great East Japan earthquake of 2011 that killed nearly 20,000 people, injured thousands more, and caused catastrophic damage across the country. Though Suzume never feels fatalistic or at risk of becoming lost in the darkness of its metaphor, it also never lets you forget that each and every single instance of the worm bursting through a portal carries the risk of causing a calamity like the real-world 2011 quake. But one of the most powerful concepts woven throughout the film is how the key to keeping the darkness at bay isn’t preparedness or simply responding with magical force but, rather, holding space and having a deep reverence for the past and all it can teach us about the present.