great pretender razbliuto
Often the original draft was too long and needed to be refined to finalize the desired "tempo" and "flow". The
writer remarked on their preference for reading the previous "two or four" chapters carefully to ensure consistency in the story. [6] The typical
weekly production schedule consisted of five days of creating and thinking and one day using a pencil to insert dialogue into rough drafts; after this point, the writer faxed any initial drafts to the editor. The illustrator's weekly production schedule involved one day with the thumbnails, layout, and pencils and one day with additional penciling and inking.
Obata's assistants usually worked for four days and Obata spent one day to finish the artwork. Obata said that when he took a few extra days to color the pages, this "messed with the schedule". In contrast, the writer took three or four days to create a chapter on some occasions, while on others
they took a month. Obata said that his schedule remained consistent except when he had to create color pages. [10] Ohba and Obata rarely met in person during the creation of the serialized manga; instead, the two met with the editor. The first time they met in person was at an editorial party in January 2004. Obata said that, despite the intrigue, he did not ask his editor about Ohba's plot developments as he anticipated the new thumbnails every week.
0 - 1060 days ago $localHistory_by_source_items[15125619]. _text_epi $localHistory_by_source_items[15125619]. _time_ago
Source Deer (#15196032 / 1 chs) [Vol. 0 Ch. 85 - Vol. 0 Ch.
2014-08-06. Archived (PDF) from the original on 2022-03-26. Retrieved 2022-03-17. ^ "コンテンツビジネスラボ「2015年リーチ力・支出喚起力ランキング」" [Content
Business Lab "2015 Reach Power / Expenditure
Stimulation Ranking"]. Hakuhodo (in Japanese). 2015-11-27.
