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Retrieved December 11, 2009. ^ Kowit, Holly (2004). Yu Yu Hakusho Challenge (Ghost Files). Scholastic. ISBN 0439649862. ^ Ball, Ryan (April 17, 2003).

Considering the sheer degree of prevalence the isekai genre has enjoyed ever since the early 2010s, no doubt because it provides publishers like Kadokawa a lot of money, it makes sense that isekai too would become susceptible to these kinds of remarks from its own works.
But *The Eminence in Shadow* makes the mistake of assuming that being meta is the same as being funny or a worthwhile piece of entertainment. Glimpsing the greater picture, or making casual reference to things that viewers would recognize, is perhaps a short-term solution. But that does not guarantee that the inner substance of the story will be able to stand on its own two feet, either. Within its audience-conscious asides, it attempts to fashion a fantastical story of Cid Kagenou, a fashions-himself-as-the-ultimate-warrior man who attempts to make the best of both worlds, so to speak. Treating his reincarnated situation as the chance to live out his ultimate fantasy, he adopts the moniker of the background everyman archetype on one hand and the “Eminence in Shadow” in the other. Getting involved, investigating, and dispensing his own form of justice when he sees fit, he treats his new environment as a playground rather than being full of actual people with consequences.
Therein lies its initial draw, and its first real gag; take the common thought that many isekai protagonists have (that they’re either dreaming / don’t take their new situation seriously enough), and have it last for the entire show. This gag quickly devolves into overreliance; *The Eminence in Shadow* spends so much of its time with Cid making jokes about the isekai world, drawing upon his knowledge of its conventions and general structure. But the show is confusing its meta remarks for comedic cleverness. Cid is seemingly incapable of going ten minutes without making a remark akin to, “At a time like this, X would happen!” or “Doing Y would be so awesome!” These moments are meta humor at its most flaccid, requiring no creativity to make its point.

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The third round began and Date rushed towards Ippo looking for another in-fight. Date was only able to land some light punches as Ippo attacked Date's guard. Ippo landed a body blow and began hitting Date's face again, however Date spun his neck to roll the punches, negating the damage. Ippo was then hit with a left jab, causing him to go down. Ippo got back up as he was in shock as his punches seemed to be doing no damage. Ippo went for body blows, but the punches were unable to do damage due to Date moving his guard along with Ippo's punches at the moment of impact. Thinking that if he doesn't land any clean punches, he would not be able to knock Date down, Ippo attempted to throw a big punch. However Date countered it and Ippo was hit with a combination of attacks until the gong sounded, ending the round. Ippo began questioning himself if he is being too predictable. Ippo was informed that he was using instincts and intelligence cultivated from years of experience. In the fourth round, Ippo kept getting hit with clean punches. December 5, 2006. Archived from the original on July 27, 2010. Retrieved August 11, 2010. ^ "Castlevania: Portrait of Ruin (ds: 2006". Metacritic. CBS Corporation.