yu yu hakusho 2023 avis
But when Thorfinn can accomplish feats like casually charging through hundreds of arrows
shot at his head, leaping 12 feet in the air over a moat,
sprinting up the side of a vertical
castle wall, and running through dozens of trained soldiers in armor while making abrupt slashing motions with his knives that decapitate all of them with one slice, then I start to have a problem with the "realism" factor. Moments like these had deleterious effects on the quality of the anime in my eyes, and Thorfinn's inexplicable demigod-like feats of strength and skill when compared to the generally normal capabilities of the majority of the rest of the cast caused a disconnect with the historical direction that the anime seemed to be aiming for.
Of course that loud, mountain of a man Thorkell is somehow
worse when it comes to absolutely shattering any sense of realism that Vinland Saga was aiming for, but I don't even want to attempt to talk about that horrendously written character.
Yes, I believe Thorfinn failed spectacularly as a protagonist. But thankfully, there's Askeladd. He's honestly much more of a main character than Thorfinn, and is actually quite compelling and given a believable reason for his actions. He's clearly the deepest character and most entertaining part of the show, and despite my issues with many aspects of the anime *cough* Thorfinn *cough* he kept things interesting. He's the type of character that you initially want to hate but then grow to appreciate as time goes on, and I have to commend Vinland Saga for writing him in such a compelling way. But even Askeladd couldn't save Vinland Saga from falling into mediocrity. And that's thanks to the inclusion of another certain character.
Frickin Canute
Canute is a Norse princess waifu.
[30] The films feature self-contained, completely original plots, or retellings of story arcs with animation of a higher quality than what the weekly anime allows. The first three films were typically double features paired up with other anime films, and were thus usually an hour or less in length. Funimation has licensed the eighth, tenth, twelfth, thirteenth, and fourteenth films for release in North America, and these films have received in-house dubs by the company. [31] No. Title Director Writer Release date Runtime 1 One Piece: The Movie Junji Shimizu Michiru Shimada March 4, 2000 51 minutes 2 Clockwork Island Adventure March 3, 2001 55 minutes 3 Chopper's Kingdom on the Island of Strange Animals March 2, 2002 56 minutes 4 Dead End Adventure Konosuke Uda Yoshiyuki Suga March 1, 2003 1 hr 35 min 5 The Cursed Holy Sword Kazuhisa Takenouchi March 6, 2004 1 hr 35 min 6 Baron Omatsuri and the Secret Island Mamoru Hosoda Masahiro Itō March 5, 2005 1 hr 32 min 7 Giant Mecha Soldier of Karakuri Castle Kōnosuke Uda March 4, 2006 1 hr 35 min 8 The Desert Princess and the Pirates: Adventures in Alabasta Takahiro Imamura Hirohiko Kamisaka March 3, 2007 1 hr 30 min 9 Episode of Chopper Plus: Bloom in the Winter, Miracle Cherry Blossom Junji Shimizu March 1, 2008 1 hr 53 min 10 One Piece Film: Strong World Munehisa Sakai December 12,
2009 1 hr 53 min 11 Straw Hat Chase Hiroyuki Satō Yasuyuki Tsutsumi March 19, 2011 30 minutes 12 One Piece Film: Z Tatsuya Nagamine Osamu Suzuki December 15, 2012 1 hr 47 min 13 One Piece Film: Gold Hiroaki Miyamoto Tsutomu Kuroiwa July 23, 2016 2 hours 14 One Piece: Stampede Takashi
Otsuka Atsuhiro Tomioka,
Takashi Otsuka August 9, 2019 1 hr 41 min 15 One Piece Film: Red Gorō Taniguchi Tsutomu Kuroiwa August 6, 2022 1 hr 55 min Television specials[edit] Main article: List of One Piece television specials The One Piece franchise has spawned 13 television specials that aired on Fuji TV. Of these specials, the first four, as well as the sixth, eighth, ninth, and eleventh are original stories created by the anime staff with the exception of the fifth, seventh, tenth, twelfth, and thirteenth specials, which are alternate re-tellings of certain story arcs.
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