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[32] Three Tales (1960) was the first anime film broadcast on television;[33] the first anime television series was Instant History (1961–64). [34] An early and influential success was Astro Boy (1963–66), a television series directed by Tezuka based on his manga of the same name. Many animators at Tezuka's Mushi Production later established major anime studios (including Madhouse, Sunrise, and Pierrot). The 1970s saw growth in the popularity of manga, many of which were later animated. Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into the super robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino, who developed the real robot genre. [35] Robot anime series such as Gundam and Super Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades. [36] The bubble economy of the 1980s spurred a new era of high-budget and experimental anime films, including Nausicaä of the Valley of the Wind (1984), Royal Space Force: The Wings of Honnêamise (1987), and Akira (1988). [37] Neon Genesis Evangelion (1995), a television series produced by Gainax and directed by Hideaki Anno, began another era of experimental anime titles, such as Ghost in the Shell (1995) and Cowboy Bebop (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes include Sailor Moon and Dragon Ball Z, both of which were dubbed into more than a dozen languages worldwide. In 2003, Spirited Away, a Studio Ghibli feature film directed by Hayao Miyazaki, won the Academy Award for Best Animated Feature at the 75th Academy Awards.

Fire opening theme? Check. Continually amazing vocal performances? Check. Horny undertones via animal kingdom predator/prey metaphors? Perfect attendance record. AdvertisementPrevious SlideNext Slide8 / 14List slidesFena: Pirate PrincessList slidesFena: Pirate Princess AdvertisementWe already know pirates are cool, but pirate samurai are even cooler. Enter Fena: Pirate Princess. The anime follows Fena, a 16-year-old orphan who dreams of a better life than what awaits her in the brothel she’s begrudgingly called home in England.

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The fumes reach the border post, saving Fuu and Jin as the guards become docile, and the three reunite when Fuu and Jin come across Mugen partying with the warrior priests. 10"Lethal Lunacy"
Transliteration: "Fighting Fire with Fire / Idoku Seidoku" (Japanese: 以毒制毒)Akira Yoshimura[39]Touko Machida[39]July 29, 2004 (2004-07-29)July 16, 2005 The three are offered food by a priest if they clean his dojo. When Fuu is doing errands she hears about the murders of several kills samurai, with a large bounty offered for the killer's capture. Mugen is the only one interested, and while going to a bar to drink, a man named Shoryu talks to him about the mystery killer. Mugen realizes Shoryu is the killer, and attacks. During the battle, Mugen is briefly overwhelmed by Shoryu's non-contact attacks before the police arrive, with Shoryu promising to fight Mugen on the next full moon. The priest reveals that he was Shoryu's teacher; Shoryu learned the secret techniques surrounding qi after being shipwrecked in China, and his violent ways caused the two to split. Training until the next full moon, Mugen succeeds in killing Shoryu. 11"Gamblers and Gallantry"
Transliteration: "Fallen Angel / Daraku Tenshi" (Japanese: 堕落天使)Sayo Yamamoto[40]Seiko Takagi[40]August 5, 2004 (2004-08-05)July 23, 2005 The three are stuck in a town on a rainy night, trying to find work. Mugen trains a rhinoceros beetle for a bug tournament, eventually winning. Jin ends up meeting and bonding with a woman called Shino, who was contemplating drowning herself rather than sell herself into prostitution to pay her husband's debts. 1. His mom notices and explains how she doesn’t let her son wear glasses on the pitch in case a ball hits his face. So that’s why he couldn’t save it, he couldn’t damn well see the ball could he? This, this pseudo-thrilling shithousery is Blue Lock to me.
The start of Blue Lock was actually bearable, dare I even say interesting. Seriously, it’s a good concept on paper. A bunch of ambitious teenagers vying for a chance to become Japan’s national team striker through a rigorous and ruthless training regime with one person remaining. Or that’s what it seemed at the start, until you realize that no characters introduced get eliminated. Or the absurdity of fielding a striker in goal could ever yield effective practice for anyone involved. But I understand there should be an expected level of plot armoring and suspension of disbelief afforded when it comes to these shows so I will give it some leeway. Instead, this review will focus more so on the myriad of reasons why this show doesn’t even work in an entertaining sense.
First and foremost, it’s the animation.