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[97] Accolades For the 10th anniversary of the Japan Media Arts Festival in 2006, Japanese fans voted JoJo's
Bizarre Adventure second on a list of the Top 10 Manga of all time. [98] The series ranked tenth in a 2009 survey by Oricon on what manga series people want to see receive a live-action adaptation. [99] The 2013 edition of Kono Manga ga Sugoi!, which surveys people in the manga and publishing industry, named
JoJolion the twelfth best manga series for male readers. [100] JoJolion won the grand prize for manga at the 2013 Japan Media Arts Festival. [101] In November 2014, readers of Da Vinci magazine voted JoJo's Bizarre Adventure as the fifth Weekly
Shōnen Jump's greatest manga series of all time. [102] On TV Asahi's Manga Sōsenkyo 2021 poll, in which 150,000 people voted for their top 100 manga series, JoJo's Bizarre Adventure ranked tenth. [103][104] Controversy In May 2008, both Shueisha and studio A. P. P. P. halted manga/OVA shipments of JoJo's Bizarre Adventure after a complaint had been launched against them from anonymous online Egyptian Islamic fundamentalists, after noticing a scene in the OVAs that has the villain, Dio Brando, reading a book depicting pages from the Qur'an.
" With its all-English
cover, B5 size and painted page edges, the first volume of Akira caused a sensation in Japan. [17] Otomo painted the cover illustration of the first volume very thick, while its inside cover illustration was influenced by Tetsuji Fukushima's manga Sabaku no Maō and how he used colors like American comics. [17] Because the first volume had a "hot" red cover, Otomo felt volume two should have a "cool" one. Its back cover image was created using video, and he said he ruined Kodansha's VCR by repeatedly changing the color balance to get it right. Following the American and European cover images of the previous two volumes, Otomo felt the third should have an Asian one and so included the signs in its background. Its back cover is a composite photograph taken during a race at the Tokyo Racecourse when an image of Akira was shown on the jumbotron. Because the first three images had followed a pattern of "action-silence-action," the artist figured volume four should continue it and so drew Akira sitting down for the cover. Its back cover
features an original Akira pinball machine created by Taito with animation cels pasted onto it by Otomo. The cover of volume five was the first to feature an event actually related to the content inside the book. Its back cover features an Otomo-designed decorative bamboo rake that cost 2 million yen to make and features a custom made Miyako doll and mecha models. Otomo felt the sixth cover had to be cool because it was the final one, and as a result it went through the most number of rough designs as he had to really work to get Kaneda's line of sight towards the reader without it feeling forced.
Muzan is left helpless against the sun but Gyomei, Obanai, and
Mitsuri succumb to their injuries. As Tanjiro delivers the final blow, a dying Muzan fatally wounds him and forcefully gives him his
remaining blood. Tanjiro transforms into the ultimate being in Muzan's last-ditch effort to have his species survive. He begins to attack the survivors but through their efforts and Nezuko, who has been fully restored to her human self, the transformation is reverse. In the aftermath of the battle, the Corps are disbanded, with Giyu, Tengen, and Sanemi as the only Hashira survivors. Muzan's death has effectively vanquished all other demons under his control while Yushiro goes to live as a painter.
