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It has the experimental feel when you see how they react as NPCs while displaying human traits.
If you want stereo music, then you got stereo music. Namely, the OP theme song is an intense beat to the ears while the ED theme always decorates itself with unorthodox imagery. The OST displays a familiar fantasy feel in terms of content. And for all that’s worth, character voice mannerism plays some key roles to make their characters into life. Momonga is actually one of the less noticeable characters for his voice because he sounds similarly like a human. On the other hand, the NPCs has a distinctive voice with their character roles. These voice diversity ranges from Albedo’s seductiveness, Sheltear’s aggressiveness, Sebas’ sophisticated personality, or Nabes’ loyalty. Clementine also gives off a presence of violence thanks to her sinister voice tone that persuades viewers to see how far she will go with her plans. Despite the large cast of characters, a strength of the show does come from the voices.
In the end, Overlord is more or less a refreshingly adventurous tale about a dude stuck in a skeletal avatar.

In order to compete with the newer vs. titles from Capcom, SNK decided to steal a page from its playbook and introduced strikers, which were characters who could be summoned into battle to aid in combos or help defend their teammates. While they were innovative for the KOF series, many players didn't like the new additions, partly because they created some imbalances among characters. The King of Fighters R-1 (1999, NeoGeo Pocket)
This was a handheld fighting game based on the NeoGeo version of King of Fighters '97. Since the NGP was a monochrome system, R-1 used black-and-white graphics. You picked a team of three fighters and went up against the CPU's teams.

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[62] Munehisa Sakai directed the first and second season, while Chiaki Kon directed the third season. Films and television specials[edit] Three animated theatrical feature films based on the original Sailor Moon series have been released in Japan: Sailor Moon R: The Movie in 1993, followed by Sailor Moon S: The Movie in 1994, and Sailor Moon SuperS: The Movie in 1995. The films are side-stories that do not correlate with the timeline of the original series. A one-hour television special was aired on TV Asahi in Japan on April 8, 1995. [63] Kunihiko Ikuhara directed the first film, while the latter two were directed by Hiroki Shibata. In 1997, an article in Variety stated that The Walt Disney Company was interested in originally acquiring the rights to Sailor Moon as a live action film to be directed by Stanley Tong & Geena Davis set to star as Queen Beryl, along with Winona Ryder & Elisabeth Shue planning to star in the film. [64] After Disney put the project on turnaround, Universal Pictures acquired the film rights. [65] In 2017, it was revealed that Pretty Guardian Sailor Moon Crystal anime's fourth season would be produced as a two-part theatrical anime film project, adapting the Dream arc from the manga. [66] On June 30, 2019, it was announced that the title of the films will be Pretty Guardian Sailor Moon Eternal The Movie. [67][68] The first film was originally to be released on September 11, 2020,[69] but was postponed and released on January 8, 2021, and the second film was released on February 11, 2021. [70] Chiaki Kon returned from Crystal's third season to direct the two films. Archived from the original on May 8, 2019. Retrieved November 30, 2019. ^ Piselli, Justin (December 3, 2017). "Hunter x Hunter Manga Resumes in Shonen Jump on January 29". Anime News Network. Archived from the original on April 4, 2022.