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[15][16] Shinichirō Watanabe served as the musical advisor. [17][e] Ging Nang Boyz – 少年少女 Sunset Rollercoaster – Broken Windows Sunset Rollercoaster – Seagull VIDEOTAPEMUSIC – Summer Storm The Natsuyasumi Band – Tune from diamond mitsume – 夜釣り Sunset Rollercoaster – Let There Be Light Again Ogawa & Tokoro – Beacon Mid-Air Thief – Yamabiko’s Theme Mid-Air Thief – Kodama’s Theme Ogawa & Tokoro – Soft Oversight mitsume – ソウとセイジ Kaneyorimasaru – Kyo no Uta The Natsuyasumi Band – Lightship mitsume – スペア toe – サニーボーイ・ラプソディ Conisch – Lune Conisch – Jugement Conisch – Tour Conisch – Soleil Conisch – 旅立ちの日に Reception[edit] Accolades[edit] Sonny Boy received the Excellence Award in the animation category at the 25th Japan Media Arts Festival. [18] The series was nominated in two categories in the 2022 Crunchyroll Anime Awards Anime of the Year and Director of the Year. [19] The series was also nominated for the Anime Trending Awards in four categories "Best in Original Screenplay", "Best in Sceneries and Visuals", "Mystery or Psychological Anime of the Year" and "SciFi or Mecha Anime of the Year". [20][21] Critical reception[edit] This section needs expansion. You can help by adding to it. (January 2024) The series received a mixed reception. In reviewing the first episode, Vrai Kaiser of Anime Feminist said that while the series isn't bad, its writing can unearth "a kind of camaraderie in the face of despair," but that these two months are "preceded by 20 minutes of noise," but that there is potential in the series. [48] In a review of the first three episodes, Meru Clewis on the same website, said they approached the series enthusiastically due to fond memories of Angel Beats but was apprehensive, saying it has the potential to be "really, genuinely interesting" if Hina's character is improved, and hoped that the series gets better. [49] In another review, on the same website, Noise criticized the series for featuring a "lot of insidious ableism" in the last few episodes, perpetrating harmful ideas about treatment and agency of disabled people, embodying clichés and stereotypes that disabled people often embody in popular fiction, and the ableism of the series' big plot twist as tying into the "disability superpowers" trope. However, he also said that there is an "incredibly uncomfortable sexual undertone", a "coat of romantic sugariness", criticized the series for promoting a "regressive.
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