animation samedi 24 juin
[5] For example, the male-male romance magazine Allan began publishing Yuri Tsūshin (百合通信, "Lily Communication") in July 1983 as a personal ad column for "lesbiennes" to communicate. [6] The term came to be associated with lesbian pornographic manga beginning in the 1990s, notably through the manga magazine Lady's Comic Misuto (1996–1999), which heavily featured symbolic lily flowers. [6] When the term yuri began
being used in the west in the 1990s, it was similarly used almost exclusively to describe pornographic manga aimed at male readers featuring lesbian couples. [4] Over time, the term drifted from this pornographic connotation to describe the portrayal of intimate
love, sex, or emotional connections between women,[7] and became broadly recognized as a genre name for works depicting same-sex female intimacy in the mid-2000s following the founding of the specialized yuri manga magazines Yuri Shimai and Comic Yurihime. [6] The Western use of yuri subsequently broadened beginning in the 2000s, picking up connotations from the Japanese use. [7] American publishing companies such as ALC Publishing and Seven Seas Entertainment have also adopted the Japanese usage of the term to classify their yuri manga publications. [8][9] In Korea and China, "lily" is used as a semantic loan from the Japanese usage to describe female-female romance media, where each use the direct translation of the term – baekhap (백합) in Korea[10] and bǎihé (百合) in China. [11] Girls' love[edit] The wasei-eigo construction "girls' love" (ガールズラブ, gāruzu rabu) and its abbreviation "GL" were adopted by Japanese publishers in the 2000s, likely as an antonym of the male-male romance genre boys' love (BL). [4][12] While the term is generally considered synonymous with yuri, in rare cases it is used to denote yuri media that is sexually explicit, following the publication of the erotic yuri manga anthology Girls Love by Ichijinsha in 2011. However, this distinction is infrequently made, and yuri and "girls' love" are almost always used interchangeably. [13] Shōjo-ai[edit] In the 1990s, western fans began to use the term shōjo-ai (少女愛, lit.
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The Verge homepageThe Verge homepageThe VergeThe Verge logo. /Tech/Reviews/Science/Entertainment/MoreMenuExpandThe VergeThe Verge logo. MenuExpandFilmSuzume is everything that’s beautiful and moving about
Makoto Shinkai’s imaginationMakoto Shinkai’s Suzume is his most exuberant movie yet and a powerful rumination on holding space for the past. By Charles Pulliam-Moore, a reporter focusing on film, TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five years. Apr 13, 2023, 3:30 PM UTCShare this story Image: CrunchyrollPart of /The best entertainment of 2023Each of director Makoto Shinkai’s animated films has told powerful, moving stories about people trying to connect with one another both because and in spite of larger-than-life forces in the world that could easily tear them apart. Suzume, Shinkai’s newest feature produced by CoMix Wave Films and distributed internationally by Crunchyroll, is no exception. But unlike some of Shinkai’s other recent critically acclaimed projects like Your Name and Weathering With You, there’s a striking directness to the metaphors at work in Suzume that gives it an unexpectedly potent punch. More road trip movie than the kind of romances Shinkai’s known for, Suzume tells the tale of how high schooler Suzume Iwato (Nanoka Hara originally, Nichole Sakura in Crunchyroll’s English dub) discovers the secret, mystical causes behind the earthquakes that plague Japan and
becomes wrapped up in an epic race to save her country from an impending tectonic cataclysm. As both a local and an orphan who seemingly lost her mother in a natural disaster, Suzume’s intimately familiar with the immediate devastation that earthquakes can cause and how they can be felt metaphorically reverberating through people’s lives long after the ground stops shaking. But as much time as Suzume spends thinking and dreaming about her past, most of the adults in her life — like her loving, slightly overbearing aunt Tamaki (Eri Fukatsu, Jennifer Sun Bell) — have to keep their eyes focused on the future because it’s integral to their idea of productivity and happiness.
