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[91] Chris Beveridge comments on the Japanese audio, which brings "the forward soundstage nicely into play when required. Dialogue is well placed, with several key moments of directionality used perfectly". [92] Janet Maslin of The New York Times commends Otomo's artwork, stating "the drawings of Neo-Tokyo by night are so intricately detailed that all the individual windows of huge skyscrapers appear distinct. And these night scenes glow with subtle, vibrant color". [93] Richard Harrison of The Washington Post comments on the pace of the film, stating that the author "has condensed the narrative sprawl of the comics to provide coherence, though there's a bit of "Back to the Future Part II" incompleteness to the story. That hardly matters, since the film moves with such kinetic energy that you'll be hanging on for dear life". [94] Roger Ebert compares the film to Mad Max, calling it "very gory, very gruesome, but entertaining in its own demented way. "[95] Kim Newman of Empire commends the film's "scintillating animated visuals, with not one – not one – computer-assisted shot in sight". [96] Helen McCarthy in 500 Essential Anime Movies claims that the anime "remains fresh and exciting, easily holding its own against the products of two decades of massive technical advancement". [97] Meanwhile, in February 2004, Dan Persons of Cinefantastique listed the film as one of the "10 Essential Animations", simply referring to the film as "the film that changed everything. "[98] Awards[edit] In 1992, Akira won the Silver Scream Award at the Amsterdam Fantastic Film Festival.

2 During a love scene between Sora and Stephanie, it is shown that Shiro was the director. They complain about her bossing them around and going on a power trip after becoming a director. 3"Revenge"
"Ribenji" (復讐(リベンジ))BD Vol. 3 For revenge, Stephanie challenges Sora to a game of materialization word chain created by Jibril, but Shiro declares Sora as the winner after he uses tentacles, clothes-dissolving slime, and gooey stuff. Sora then attempts to materialize a perfect girl based on his favorite anime and video game heroines, but it does not work because creating such a girl is impossible, depressing him. Stephanie then begs to be released from the tentacles. 4"Dressup Doll"
"Doresuappu dōru" (人形(ドレスアップ・ドール))BD Vol. 4 Chlammy Zell is caught in the rain and removes her clothes to dry them. Fiel Nirvalen dresses up Chlammy in various fetish outfits, but Chlammy does not like any of the options. Fiel then uses magic to dry Chlammy's clothes. Chlammy yells at Fiel for not doing that sooner, but accidentally drops her towel.

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Collected into 42 volumes, that encompasses the Champion, the Kid, and the Maximum Tournament sagas. From 2007 to 2008, it was collected into a 24-volume kanzenban edition. [2][3] For the July 11, 2019 issue of Weekly Shōnen Champion, Itagaki completely redrew the first chapter of the manga. [4] This series was licensed for a North American release by Gutsoon! Entertainment, who retitled it Baki the Grappler. They published the first 46 chapters in their English-language manga anthology magazine Raijin Comics. [5] The magazine's first issue was released on December 18, 2002, but in July 2004 it was discontinued. Four collected volumes were planned but it is unknown if they were released. Baki (バキ, officially romanized as New Grappler Baki: In Search of Our Strongest Hero) ― Second series, also serialized in Weekly Shōnen Champion from 1999 to November 24, 2005. [6] Collected into 31 volumes, and encompasses The Prisoners, the Chinese Challenge, and the Alai Jr. sagas. This series is licensed for English release by Media Do International, who released it digitally between August 2018 and August 2019.
Fig. , Cet homme a vu la mort de près, Il a été sur le point de périr.
Fig. et fam. , Voir trente-six chandelles, Avoir un éblouissement.
Fig.