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Strange adults, a strange room, and a 'baby with no face'.

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Beyond his philosophy and time spent training or fighting, Yuujirou is fully capable of living in modern society. While not stated, it's shown that Yuujirou has access to considerable resources, most likely in the form of connections or favors from some of the most influential people in the world. Given his power and threat level, this is not surprising. Other resources also most likely include a vast personal fortune. This is very clear from how Yuujirou has demonstrated sophistication and his ability to carry himself in high society. Yuujirou has sharp tastes, and whenever attending places of refining or meant for the elite of society, he can blend right in by both dress and manner. Since Yuujirou is the strongest in the world and sees himself as a king, this may be his way of trying to act in a way becoming of a king. He's also shown to be erudite, intelligent, and well-read in various topics, some of which are pretty esoteric. During his 16th year, Yuujirou was quite different from his current self. He was much calmer, less savage and, not so bloodthirsty, most of the time defeating just his adversaries and destroying their vehicles. However, over the next two years on battlefields, Yuujirou's desire to fight and bloodlust grows exponentially and mercilessly kills everyone who stands in his way, making him the man he is today. Actually, referring to the romance as “will they, won’t they” misrepresents it a tad; the ball was always in Sylphy’s court as she could’ve revealed herself to Rudeus at any time, so it’s really a “will she, won’t she” romance if you will. The constant edging that comes with this part of the story can come off as drawn out to some audiences, but for me, Sylphy’s character development and intrapersonal conflicts throughout the season made that never happen.
This season helps maintain the continuity of Mushoku Tensei using odd amounts of realism or attention to detail to excel in ways other anime do not. The beginning segments with Sara and Counter Arrow were oddly realistic in the way they showed the cautious social improvements a depressed person attempts to make; this realism got turned up to 11 when they showed a sudden downward spiral with plenty of self-destruction. Most anime don’t use depression as a catalyst for character development; if they do, the depression is short-lived and resolved linearly. As stated above, neither of these happen in Mushoku Tensei season 2. The conversation with Nanahoshi is a glorified 20-minute info dump: an info dump that I was on the edge of my seat to consume. I generally dislike info dumps of this magnitude, but the sheer impact of the information being dumped and the extracurriculars with Sylphy during the conversation kept it interesting. Or hell, even the way they characterize side characters. There are 12 characters either introduced or re-established and expanded on this season, and none of them feel like a waste of time that won’t be utilized as the series goes on; characters like Sara have fulfilled their duty to the plot and won’t appear for much later feel like their arcs are completed: they don’t need extra development to make them feel like quality. Side characters that received incomplete characterization, such as Zanoba and Cliff, were set up to be reused in the latter parts of the story.