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After growing up and leaving his harsh ways in the past, these two characters reconnect, forming a highly unlikely bond. A Silent Voice asks for your acceptance almost too often, but trust me, if you're in the forgiving mood, this film turns out to be extremely powerful. So that's the warning I must give you, that if you're not ready to be forgiving of a terrible actions, I'd wait until you're in the right mood to watch this movie. Throughout Ishida's transformation from a bully to a kind-hearted human being, it wasn't just the dialogue that impacted me, but the visuals surrounding him. Every time he would pass by other people that knew him, they had X's on their face. When this aspect comes into play a little later in the movie, I'd be lying if I said it didn't move me. From beginning to hate the film for displaying a very unlikable character, this story really does a great job at winning you over, especially through it's silent, visual storytelling in the background, foreground, and even anytime that it makes it blatantly obvious. When a movie makes you wait for it to be really good, it can be a pretty frustrating experience, but I see something different when reflecting on this film. It's all about redemption and how forgiveness is everything when you truly want to become a better person that what you were in the past. Evil is all throughout everyone, but you're not supposed to act on it. This is one of the message that I feel the movie tries to convey and I believe it's a wonderful lesson to everyone.

1 14. 12. 2020 Chapter 7. 2 25. 10. 2020 Chapter 7.

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[34][35] Production[edit] Series director Shinichirō Watanabe at the 2009 Japan Expo Cowboy Bebop was developed by animation studio Sunrise and created by Hajime Yatate, the well-known pseudonym for the collective contributions of Sunrise's animation staff. The leader of the series' creative team was director Shinichirō Watanabe, most notable at the time for directing Macross Plus and Mobile Suit Gundam 0083: Stardust Memory. Other leading members of Sunrise's creative team were screenwriter Keiko Nobumoto, character designer Toshihiro Kawamoto, mechanical art designer Kimitoshi Yamane, composer Yoko Kanno, and producers Masahiko Minami and Yoshiyuki Takei. Most of them had previously worked together, in addition to having credits on other popular anime titles. Nobumoto had scripted Macross Plus, Kawamoto had designed the characters for Gundam, and Kanno had composed the music for Macross Plus and The Vision of Escaflowne. Yamane had not worked with Watanabe yet, but his credits in anime included Bubblegum Crisis and The Vision of Escaflowne. Minami joined the project as he wanted to do something different from his previous work on mecha anime. [23][33] Concept[edit] Cowboy Bebop was Watanabe's first project as solo director, as he had been co-director in his previous works. [36] His original concept was for a movie, and during production he treated each episode as a miniature movie. [37][38] His main inspiration for Cowboy Bebop was the first series of the anime Lupin III, a crime drama focusing on the exploits of the series' titular character. [23] When developing the series' story, Watanabe began by creating the characters first. Archived from the original on November 25, 2020. Retrieved November 25, 2020. ^ 「鬼滅の刃」最終巻の初版は395万部!描き下ろしマンガなども収録. Comic Natalie (in Japanese). Natasha, Inc. November 25, 2020. Archived from the original on April 10, 2022. Retrieved September 15, 2022. ^ Pineda, Rafael Antonio (November 24, 2019). "Demon Slayer Is Shueisha's 2nd Highest-Selling Manga After One Piece in 2019". Anime News Network.