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Retrieved February 2, 2023. ^ 나 혼자만 레벨업 9 (in Korean). Naver Book Database. Archived from the original on July 23, 2020. Retrieved April 27, 2020. ^ 나 혼자만 레벨업 10 (in Korean).

Arthur fought her way to becoming queen and the games unofficial final boss, the Dystopian Empress. In the end, Rakuro killed her in a suicide mission, beginning their unusual friendship/rivalry. Arthur has travelled all the way from the 50th city Fifticia to kill him. Animalia reveals Arthur is the level 99 second-in-command of Ashura Kai, specializing in assassinating player's even higher level than herself. As they fight, Arthur passes a demand from Ashura Kai's leader to publicly share how to access the unique scenario for vorpal rabbit NPC's. Emul cannot sustain her human form and reverts back to a rabbit.

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Retrieved January 6, 2018. ^ "Bleach (3-in-1 Edition), Vol. 1". Viz Media. Archived from the original on November 28, 2018. Retrieved May 5, 2014. ^ "Bleach digital 74" (in Japanese). ebookjapan. jp. Archived from the original on January 7, 2018. Retrieved January 6, 2018. [6] Nosaka argued that "it was impossible to create the barren, scorched earth that's to be the backdrop of the story". [6] He also argued that contemporary children would not be able to convincingly play the characters. Nosaka expressed surprise when an animated version was offered. [6] After seeing the storyboards, Nosaka concluded that it was not possible for such a story to have been made in any method other than animation and expressed surprise in how accurately the rice paddies and townscape were depicted. [6] Isao Takahata said that he was compelled to film the short story after seeing how the main character, Seita, "was a unique wartime ninth grader". [7] Takahata explained that any wartime story, whether animated or not animated, "tends to be moving and tear-jerking", and that young people develop an "inferiority complex" where they perceive people in wartime eras as being more noble and more able than they are, and therefore the audience believes that the story has nothing to do with them. Takahata argued that he wanted to dispel this mindset. [6] When Nosaka asked if the film characters were "having fun", Takahata answered that he clearly depicted Seita and Setsuko had "substantial" days and that they were "enjoying their days". [8] Takahata said that Setsuko was even more difficult to animate than Seita, and that he had never before depicted a girl younger than five. [6] Takahata said that "In that respect, when you make the book into a movie, Setsuko becomes a tangible person", and that four-year-olds often become more assertive and self-centered, and try to get their own ways during that age. He explained that while one could "have a scene where Seita can't stand that anymore", it is "difficult to incorporate into a story".