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Retrieved February 16, 2023 – via Twitter. ^ Nanba, Hitoshi [@namimi_sanjyo] (January 25, 2023). 「トモちゃんは女の子!」制作話 第4話では、第1話でチラリと出たトモちゃんのお母さん 相沢あけみ の登場です。声は渡辺久美子さんにお願いしました。迫力があり人情に熱く優しさのあるあけみ役に渡辺さんのお芝居はピッタリ! お楽しみに! #tomochan (Tweet) (in Japanese). Retrieved February 16, 2023 – via Twitter. ^ Christian, Luci [@lucilovesmic] (January 25, 2023). "🤣" (Tweet).

[111] Since Castlevania: Symphony of the Night, Yamane became involved with the development of the series with its former producer, Koji Igarashi. [112] Symphony of the Night's art director, Osamu Kasai, requested Yamane to join the team,[111] and she would draw inspiration from Ayami Kojima's concept artwork. [112] Unlike the FM synthesis that Bloodlines used, Yamane felt she had more freedom with Symphony of the Night as it was produced for a CD-ROM, which made it capable of much higher quality music and sound. [111] She continued to compose for the series, including the Game Boy Advance and Nintendo DS games, which had note limitations like older home consoles, and also collaborated with other composers such as Yuzo Koshiro. [111] Before becoming a freelance composer, the last Castlevania game she scored was Castlevania: Order of Ecclesia in 2008, which she worked on with Yasuhiro Ichihashi. [111] For the 2010 reboot, Castlevania: Lords of Shadow, the game was scored by Óscar Araujo using a 120-piece orchestra. [113] His work on Lords of Shadow earned him a nomination for breakout composer of the year by the International Film Music Critics Association,[114] and he won "Best Original Score for a Video Game or Interactive Media. "[115] Araujo went on to compose the sequels, Mirror of Fate and Lords of Shadow 2. [116] Reception and legacy[edit] Aggregate review scores Game GameRankings Metacritic Castlevania 70. 92% (GBA)[117] — The Adventure 55. 07%[118] — Belmont's Revenge 83.

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Project D is challenged to a rematch on Maze Pass, with Takumi being put up against the rally driver Sakamoto. Keisuke battles against Wataru Akiyama, the two of them finally able to have an official battle. Project D are challenged by a duo of Mitsubishi Lancer Evolution drivers from Tsuchisaka. The two drivers play dirty, spilling oil on the road to force Keisuke to crash his FD and threatening the team with violence if they win. Despite this, Project D win their races. Project D then head to the Mt. Tsukuba Fruits Line to battle with the veteran racers of Purple Shadow. Takumi participates in a grueling eight lap battle with Dr. Toshiya Joshima. During this battle Takumi damages the Eight-Six's suspension, however manages to cross the line first due to Joshima vomiting. Keisuke battles with Kozo Hoshino in a half uphill half downhill battle. )[43] France 1991–2020 — Un­known 167,372[44] Spain 1992–2013 — Un­known 134,324[45][41] 2016–2018 — Un­known 2,018[41] 1992–2018 — Un­known 136,342 Finland 2020 — Un­known 6,262[46] Other European countries 1999–2013 — Un­known 25,047[41] 2014–2018 — Un­known 10,590[41] 1999–2018 — Un­known 35,622[41] Quebec (Canada) 2001–2002 — Un­known 532[41] Taiwan 2006–2008 — US$230,000[47] 40,000[47] South Korea 2017 — ₩86,224,200[48] 10,574[48] New Zealand 2017 — US$36,342[49] Un­known Hong Kong 2020 — US$148,415[50] Un­known Australia 2020 — US$183,882[42] Un­known Worldwide 1988–2020 $49,000,000[3] 3,569,771+ (est. ) Akira was released by Toho on July 16, 1988. At the Japanese box office, it was the sixth highest-grossing Japanese film of the year, earning a distribution income (distributor rentals) of ¥750 million in 1988. [30] This made it a moderate success at the Japanese box office. [51] By 2000, the film had earned a Japanese distribution rental income of ¥800 million. [32] The film's 4K remaster received a limited Japanese IMAX re-release in May 2020.