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I was also a little surprised to find out it was also based on a manga by Yoshitoki Oima. The film itself is an endearing tale of living one's life as a young person being affected by regrets and opening up to the world in a more brighter manner than before, but it's also about atonement and reconciling with one's consequences of their actions. The character's are relatable as they are touching, carrying the film through it's compelling plot especially with the main character himself and the deaf girl who he's trying to understand. In the end it's not surprising the characters learn something more about themselves as well as their relationships with others in order to lead more happier lives. The animation is unique and top class to say the very least not the most outstanding especially for it's environments though it does a superb at blurring the line between imagination and reality. Even if the success of 'Your Name' is to suggest one piece of anime was huge, this deserves just as much attention as it does acclaim, I have no regrets watching this film and I encourage people of all demographics to seek out and see for themselves.

It’s definitely a breath of fresh air from the constant info dumps in other anime, though there are still some info dumps in this show as well.
To give a gist of the setting and story, it’s set in a post apocalyptic world where human civilization was destroyed, man-eating monsters are all over, laying waste to the remains of the land, and threatening the lives of the survivors. Meanwhile, there is a facility that is isolated from the rest of the world, which nurtures children in a very peaceful setting. It reminded me of The Promised Neverland in a way, with the Grace Field house. The two protagonists, Kiruko and Maru are seemingly looking for this place, which they call “Heaven”, and along the way they encounter many intriguing things, as tales on the inside of the nursery and outside get told. Themes around human nature, companionship, and the search for meaning can be seen in both settings, which made for great parallels and comparisons between both the children and the protagonists of the outside world. It was quite interesting seeing the stories of both the nursery and the outside world being told side by side with one another, not relying on info dumps or conventional flashback sequences to understand the lore of the world.
Not only is it very thought-provoking, it also looks and sounds incredible, with an audiovisual experience that always had me paying attention and sometimes on the edge of my seat. The directing is phenomenal in really setting the atmosphere and the eerie tone in the more important scenes, but also can change into a very light tone in more comedic scenes. The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence.

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^ ブルーロック初原画展「BLUE LOCK EXHIBITION」開催決定!タワレコ渋谷で5月15日~6月6日、オリジナルグッズも販売! (Press release). Tower Records. April 26, 2021. Archived from the original on June 23, 2021. Retrieved August 12, 2021 – via PR Times. ^ Soccer Manga Blue Lock [Official] [@bluelock_wm] (August 30, 2021). 累計500万部突破しました (Tweet) (in Japanese). Retrieved August 30, 2021 – via Twitter. ^ 『ブルーロック』キャラPV・蜂楽廻編公開!海渡翼が蜂楽の魅力を語る. Animage+ (in Japanese). Tokuma Shoten. [2][105] This recall affected the English-language releases as well, causing Viz Media and Shueisha to cease publication for a year. Even though the manga did not feature that specific scene, Shueisha had Araki redraw scenes that depicted characters fighting on top of, and destroying, mosques for later printings of the series. [2] Viz resumed publication a year later, with the eleventh volume being published on April 7, 2009. Jason Thompson later included Shueisha's changes to the manga on a list of "The Greatest Censorship Fails" in manga. [106] Legacy and collaborations The September 2007 issue of Cell had a cover drawn by Hirohiko Araki with a ligase represented as a JoJo's Bizarre Adventure Stand. [107] He also contributed artwork towards the restoration of Chūson-ji following the 2011 Tōhoku earthquake and tsunami. [108] Araki contributed JoJo-inspired art for Sayuri Ishikawa's 2012 album X -Cross-, where she performs one of the series' iconic poses and is drawn wearing jewelry from the manga. [109] JoJo-style artwork has also been produced for other literature, such as for a 2008 collection featuring Yasunari Kawabata's short story "The Dancing Girl of Izu"[110] and a 2012 reprint of Tamaki Saitō's Lacan for Surviving. [111] In 2009, Araki's was one of five artists featured in the Louvre's Le Louvre invite la bande dessinée ("The Louvre Invites Comic-Strip Art") exhibition for his artwork of JoJo's Bizarre Adventure. To commemorate this honor, he wrote "Rohan au Louvre",[l] a 123-page full color story starring Rohan Kishibe visiting the Louvre and discovering a cursed painting tied to his family. [112][113][114] The following year it was published in France and ran in Ultra Jump, and in February 2012 was translated and released in North America by NBM Publishing.