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m. Empowering Plastics SolutionsURI Plastics: Land to Sea initiative welcomes Laura Ludwig of the Center for Coastal Studies to discuss ‘Marine Debris with Purpose. ’
Mar. 7, 5:30 p. m. , Higgins Welcome Center URI Peace AwardsProfessor Clarisa Carubin, graduate student Mei Mei Long honored for their work promoting peace and nonviolence at URI and the community.

A white cat with odd eyes (one blue and one green or gold) will most often be deaf on the side with the blue eye. Cats "kiss" with their eyes. Of course, a nip on the nose is also their way of giving a kiss. If you want to show your cat you love him, give it a kitty kiss right back. Not on the nose. Just give it that long stare and slow blink and see what happens.

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[9] The names of many special attacks, as well as other concepts in the manga, consist of a form of punning in which phrases written in kanji are paired with an idiosyncratic reading. The names of some characters' techniques are often mixed with other languages, and the names of several of Zoro's sword techniques are designed as jokes; they look fearsome when read by sight but sound like kinds of food when read aloud. For example, Zoro's signature move is Onigiri, which is written as demon cut but is pronounced the same as rice ball in Japanese. Eisaku Inoue, the animation director, has said that the creators did not use these kanji readings in the anime since they "might have cut down the laughs by about half". [10] Nevertheless, Konosuke Uda, the director, said that he believes that the creators "made the anime pretty close to the manga". [10] Oda was "sensitive" about how his work would be translated. [11] In many instances, the English version of the One Piece manga uses one onomatopoeia for multiple onomatopoeia used in the Japanese version. For instance, "saaa" (the sound of light rain, close to a mist) and "zaaa" (the sound of pouring rain) are both translated as "fshhhhhhh". [12] Unlike other manga artists, Oda draws everything that moves himself to create a consistent look while leaving his staff to draw the backgrounds based on sketches he has drawn. [13] This workload forces him to keep tight production rates, starting from five in the morning until two in the morning the next day, with short breaks only for meals. Oda's work program includes the first three days of the week dedicated to the writing of the storyboard and the remaining time for the definitive inking of the boards and for the possible coloring. Archived from the original on July 23, 2017. Retrieved January 7, 2009. ^ "Funi Adds Seikishi, Yamato: R, One Piece: Strong World, Fairy Tail Film, Akira (Updated)". Anime News Network. July 28, 2012. Archived from the original on November 27, 2016.