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Box Office Mojo. Retrieved 17 February 2019. ^ Ebert, Roger. "Grave of the Fireflies movie review (1988) | Roger Ebert". rogerebert. com/.

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Realizing he is falling for Mitsuha, Taki attempts to call her on the phone but cannot reach her. The body-switching stops as inexplicably as it started. Taki, Miki, and their friend Tsukasa travel to Hida to search for Mitsuha. Taki does not know the name of Mitsuha's village, so he sketches the landscape from memory; a restaurant owner in Takayama recognizes the town as Itomori and offers to take Taki and his friends. When they arrive, they find the town almost entirely decimated by fragments that fell from Tiamat. Since the comet passed three years earlier, Taki realizes that he and Mitsuha were separated by three years, her living in 2013 and he in 2016. He finds Mitsuha's name among the 500 people killed by the comet's impact. Taki begins to lose his memories of Mitsuha, seeing her messages disappear from his phone. In a panic, he races to the shrine and drinks the kuchikamizake. He has a vision and recalls that Mitsuha once came to Tokyo to find him; though he did not recognize her, she gave him a ribbon he has worn ever since. Taki awakens in Mitsuha's body on the morning of the festival, where Hitoha speaks directly to him, explaining that the body-switching phenomenon has always been in their family. [139] On April 27, 2023, Nippon Anime Film Culture Association (NAFCA) was officially founded. The association aims to solve problems in the industry, including the improvement of conditions of the workers. [140][141] Globalization and cultural impact See also: Japanese pop culture in the United States, List of anime distributed in the United States, List of anime distributed in India, Japanese influence on Chinese culture, Japanese influence on Korean culture, Anime in hip hop, and List of highest-grossing anime films Anime Expo – one of the largest fan conventions in the Western world[142] Anime has become commercially profitable in Western countries,[143][144] as demonstrated by early commercially successful Western adaptations of anime, such as Astro Boy and Speed Racer. Early American adaptions in the 1960s made Japan expand into the continental European market, first with productions aimed at European and Japanese children, such as Heidi, Vicky the Viking and Barbapapa, which aired in various countries. Italy, Spain, and France[145][146] grew a particular interest in Japan's output, due to its cheap selling price and productive output. As of 2014, Italy imported the most anime outside Japan.