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Variety. Archived from the original on November 6, 2012. Retrieved December 15, 2007. ^ "Castlevania Movie Bites the Dust". Nintendolife. com. Retrieved 2 March 2018. ^ Acquaviva, Gary J. (2000). Values, Violence and Our Future. Rodopi.

The fourth logo for Akira, used for chapters 49–71, returned to using katakana and was created by manga artist Hiroshi Hirata as Otomo wanted a Japanese calligraphy-style. Otomo's name was still written in English until chapter 55. Having come to the "final chapter" of the series, Otomo figured he should change the logo again and went with an English font similar to Impact for the title and his name for chapters 72–120. He had already been using Impact with the top "trimmed off", which gives a dignified and American comics feel, for the covers of the collected volumes. [17] However, some fans believe some of the fonts actually used do not match the above named typefaces. [20] Otomo was meticulous in creating the collected tankōbon volumes of Akira, often leading to them being released late. [17] During serialization he faced not only schedule deadlines but also page limits and would have to cut stuff in order to fit said limit. He therefore would draw rough designs of what he actually "wanted" to draw in the margins of the chapters' manuscripts so that he would remember when time came to redraw the collected volume. He also had to make alterations in the collected volumes due to all the chapter title pages being removed, for example to make sure two-page spreads ended up on opposing pages. He wanted everything about the collected volumes, including the page count and paintings, to give a deep and full American comics feel. The covers are entirely in English, but he said this was not with an eye towards global distribution, he simply "had this incredible enthusiasm to just try to make something new.

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He also notes that the influence of Akira Toriyama (Dragon Ball) shines through in Oda's style of writing with its "huge epic battles punctuated by a lot of humor" and that, in One Piece, he "manages to share a rich tale without getting bogged down by overly complicated plots". [177] Rebecca Silverman of the same site stated that one of the series' strengths is to "blend action, humor, and heavy fare together" and praised the art, but stated that the panels could get too crowded for easy reading. [178] The website activeAnime describes the artwork in One Piece as "wonderfully quirky and full of expression". [179] Mario Vuk from Splash Comics commented that Oda's "pleasantly bright and dynamic" art style suits the story's "funny and exciting" atmosphere. [180] Isaiah Colbert of Kotaku called One Piece a "masterpiece", highlighting Oda's character writing, world-building and the balance between "fun and serious subject matter". [181] Dale Bashir of IGN wrote that One Piece is more about the world-building, adventuring, and the meaning of freedom instead of the "usual shonen battling" from series like Dragon Ball and Naruto. Bashir concluded: "While not everyone would want to go so far for a franchise that isn't even finished yet, trust me when I say that it is definitely worth it. "[182] EX Media lauds Oda's art for its "crispy" monochrome pictures, "great use of subtle shade changes" on color pages, "sometimes exquisite" use of angles, and for its consistency. [183] Shaenon K. Garrity, who at some point edited the series for English Shonen Jump, said that, while doing so, her amazement over Oda's craft grew steadily. She states that "he has a natural, playful mastery of the often restrictive weekly-manga format," notes that "interesting things [are] going on deep in the narrative structure," and recommends "sticking through to the later volumes to see just how crazy and Peter Max-y the art gets". " He praised Oda's artwork as "imaginative and creative" and commented that "Oda's imagination just oozes all of the panels [sic]". He also noted that "Oda's panel work [. ] features a lot of interesting perspectives and direction, especially during the explosive action sequences which are always a blast". [185] In March 2021, Mobile Suit Gundam's creator, Yoshiyuki Tomino, said in his interview that One Piece is the "only manga to trust". He praised the manga, commenting: "Still, we are working in the same studio and I saw storyboards near the photocopier. Unlike mine, those storyboards are good. But, you know, among the popular manga there is manga with very beautiful art and manga with bad art, but interesting nonetheless. And I don't trust manga with very beautiful art unless it is One Piece. [186] After the release of the hundredth volume, Weekly Shonen Jump's editor-in-chief, Hiroyuki Nakano, explained how One Piece changed the history of manga and the way of making it.