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August 12, 2022. Archived from the original on November 3, 2022. Retrieved August 12, 2022. ^ Hazra, Adriana (December 24, 2022). "Ash Da Hero
Performs New Opening Theme for Blue Lock Anime". Anime News Network. Archived from the original on August 8, 2018. Retrieved August 27, 2018. ^ Loo, Egan (December 19, 2018). "Top-Selling Media Franchises in Japan: 2018". Anime News Network.
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[70] The 35th anniversary edition won Best Archival Collection again at the 2018 Eisner Awards, in addition to Best Publication Design. [71] Critical reception[edit] Akira is credited with having introduced both manga and anime to Western audiences. [23] According to Kodansha USA's Naho Yamada, "Akira ignited a new
generation of dynamism not only in manga but also in European and American comics. Its impact shattered all borders. "[72] The Essential Guide to World Comics states that the translation of the work into French in 1991 by Glénat "opened the floodgates to the Japanese invasion. "[73] The imagery in Akira, together with that of Blade Runner, formed the blueprint for similar Japanese works of a dystopian nature of the late 1990s, such as Ghost in the Shell and Armitage III. [24] Yamada also said that "Otomo jacked into his generation's frustration with society, in the wake of the defeat of Japan's liberal student movement, and created an epic that, in true Japanese fashion, processed societal trauma
through cataclysmic visual symbolism. "[72] Writing for The Japan Times, Matt Schley said "For many readers, Akira was a revelation. Each panel features a head-spinning amount of detail, and Otomo, an avowed film buff, keeps things moving at a breathless, cinematic pace. "[72] In her book The Fantastic in Japanese Literature, Susan J. Napier described the work as a "no holds barred enjoyment of fluidity and chaos".
