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A wide variety of such notable animators were brought on board and thus the style occasionally varies slightly from episode to episode or even scene to scene, but it's always pleasing and completely in tune with the show's theme. Rural Japan has never looked so urban; almost any given scene in Samurai Champloo would be right at home spray-painted on the side of a city building or underpass.The music, likewise, blends hip-hop, rhythm & blues, and traditional Japanese shamisen. Music often plays second fiddle to the look and quality of the animation when it comes to my enjoyment of anime, but in some cases it becomes just as important. This is one such anime, where the music contributes so greatly to the feel of it that it defines it and sets it apart from other anime — much like the soundtrack by Yoko Kanno and the Seatbelts did for Cowboy Bebop. It's also worth mentioning that rap and beatboxing sometimes enter the dialogue, and it's always amusing.
Retrieved 4 December 2015. ^ Armentrout, Don S. (1 January 2000). An Episcopal Dictionary of the Church: A User-Friendly Reference for Episcopalians. Church Publishing, Inc. p. 147. ISBN 978-0-8223-8105-1. ^ Solomon, Charles (April 10, 2002). "Anime Series Draws on a World of Alienation". Los Angeles Times.
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