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Nami still helped Luffy defeated the evil pirate by tying up his scattered body pieces so he couldn't put himself back together. As they left, Nami was shocked that Luffy had left the treasure behind so the villagers could rebuild. Island of Rare Animals[] The trio washed up on the Island of Rare Animals, and met a strange man trapped in an empty chest called Gaimon. He had been there after he was left by his crew when he was after a horde of treasure chests at the top of a hill he could no longer reached. Luffy went to get the treasure on top, but Nami was angry and confused when he refused to bring it down. It's because they were already empty and he didn't want to ruin Gaimon's dream. Syrup Village Arc[] The next stop was on the outskirts of Syrup Village. They met a long nosed young man named Usopp, and they stumbled into a grand conspiracy that led to a huge battle. Usopp was friends with Kaya, a rich girl of the village; and it turns out that her butler, Klahadore, was actually the deadly Captain Kuro, who was thought to of been captured and killed years ago. His crew was set to invade the island to kill Kaya and steal her fortune the next day. Nami joined in the battle, but mostly as support.

^ "Anime and Asian series dominate 4th Annual Global TV Demand Awards, highlighting industry and consumer trends towards international content". WFMZ-TV. January 25, 2022. Archived from the original on March 28, 2022. Retrieved January 27, 2022. ^ Loo, Egan (October 14, 2013).

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, Perfect Blue aired on the Encore cable television network and was featured by the Sci Fi Channel on December 10, 2007, as part of its Ani-Monday block. In Australia, Perfect Blue aired on the SBS Television Network on April 12, 2008, and previously sometime in mid 2007 in a similar timeslot. The film had a theatrical re-release in the United States by GKIDS on September 6 and 10, 2018, with both English dubbed and subtitled screenings. [33] GKIDS and Shout! Factory released the film on Blu-ray Disc in North America on March 26, 2019. [34] Analysis[edit] In an analysis of Perfect Blue and Kon's other works, professor Susan Napier states that "Perfect Blue announces its preoccupation with perception, identity, voyeurism, and performance – especially in relation to the female – right from its opening sequence. The perception of reality cannot be trusted, with the visual set up only to not be reality, especially as the psychodrama heights towards the climax. "[35] Napier also sees themes related to pop idols and their performances as impacting the gaze and the issue of their roles. Mima's madness results from her own subjectivity and attacks on her identity. The ties to Alfred Hitchcock's work are broken with the murder of her male controllers. [35] Otaku describes the film as a "critique of the consumer society of contemporary Japan. "[35][Note 1] Reception and legacy[edit] The film was well received critically in the festival circuit, winning awards at the 1997 Fantasia Festival in Montréal, and Fantasporto Film Festival in Portugal. [64] The series won the 4th Anime Trending Awards in the Best in Adaptation, Best in Soundtrack and Action or Adventure Anime of the Year, and was nominated for several other categories. [65] It also won the 25th Spanish Manga Barcelona award for the Best Anime category in 2019. [66] In 2023, the second season of the anime series was nominated for the 7th Crunchyroll Anime Awards in several categories, but did not win. [67] It was also awarded the Best Fantasy Anime at the 9th Anime Trending Awards. [68] Notes[edit] ^ Physical versions published by Numskull Games in Europe. [5] References[edit] ^ a b Chapman, Paul (November 26, 2017).