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Anime-Sama met à votre disposition plusieurs sections pour vous aider à mieux choisir votre prochain anime. Directement sur la page d’accueil, vous trouverez les sections classiques : derniers animes ajoutés, et des recommandations pour les nouveautés en animes et scans. Si vous aimez regarder des animes en streaming en VF ou en VOSTFR et lire des scans de mangas en ligne, c’est le seul site qui peut vous offrir les deux à la fois.
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The openings were epic and certainly set the mood of what was to come from the anime. "They're the prey, and we are the hunters!" The rest of the soundtrack in the anime was okayasgduyasgda AMAZING. How can one describe how amazing those German OSTs were. They fit in perfectly with the epicness of the anime, and certianly added tons of suspense to the 3-D maneuver gear action.
Of course, I may be over-thinking things, but the anime certainly included some themes while creating this masterpiece of an anime. The aspect of being confined in an area, doing the same daily routine every day. People seek to be free, and to seek adventure. Watch for this. Another theme that the anime incorporated was that of the cycle of life. Humans, we steal animals away from their families, we kill them, we eat them. What's so different from us, and the titans? The feelings of not being at the top of the food chain.

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^ はじめの一歩2 Victorious Road. Media Arts Database (in Japanese). Agency for Cultural Affairs. Archived from the original on January 13, 2024. Retrieved January 13, 2024. ^ "Victorious Boxers 2 - Fighting Spirit Unleashed on PlayStation®2" (Press release). Empire Interactive. February 27, 2005. Archived from the original on August 7, 2007. Retrieved January 13, 2024. ^ はじめの一歩 ALL☆STARS. [2][5] Togashi came up with the concept of the Ningenkai (Human World), Reikai (Underworld), and Makai (Demon Plane) as being parallel planes of existence in the manga's universe. He thought of them as places that one could not easily travel between using modern technology, but rather as a spirit lacking a material body. [8] However, the idea for the "territory" powers from the Sensui story arc was parodied from a separate, unnamed work by Yasutaka Tsutsui. [12][13] For his drawing materials, Togashi used drafting ink and Kabura pens throughout the creation of the series. While his style of artwork began with screentone, he gradually developed into minimalism. As the series progressed, he would draw figures and faces very detailed or "cartoony, sketchy and jumping with action" whenever he desired such effects. [8] During the years he worked on YuYu Hakusho, Togashi would calculate the personal time he had based on a formula of four hours per page without scripting and five hours of sleep per night. [14] He wrote in his own dōjinshi Yoshirin de Pon! that he stopped the production on YuYu Hakusho out of selfishness. [15] The author had originally wanted to end the manga in December 1993, at the climax of the Sensui arc. [12][15] Although there was not a large demand from the editorial staff, Togashi was under a great deal of personal stress at certain points of the series' run, particularly during its final six months of publication. He claimed that, beginning with the Dark Tournament arc, inconsistent sleep resulting from overwork was causing him health problems.