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Retrieved October 22, 2017. ^ Gibbons, Fiachra (December 27, 2016). "Please don't see my animated blockbuster, says Japan's 'new Miyazaki,' Makoto Shinkai". The Japan Times. Archived from the original on August 1, 2017. ^ "TVアニメ『お兄ちゃんはおしまい!』作者・ねことうふ&高野麻里佳(緒山まひろ役)、石原夏織(緒山みはり役)、金元寿子(穂月かえで役)、津田美波(穂月もみじ役)らの放送直前座談会が公開!! | アニバース" (in Japanese).[113] As part of a 2007 retrospective article on Geneon Entertainment, David Smith of IGN called it one of the best anime published by the company during its lifetime, saying it was almost perfect in what it did and stood out from other Geneon properties. [73] Mike Dent of Otaku USA Magazine, writing in 2015, praised the music for adding to each episode's atmosphere, in addition to its animation quality and writing. [4] In a 2019 retrospective for Anime News Network, Matthew Roe states "the mixture of hip-hop aesthetics and classic samurai tropes seems like a more awkward fit than Bebop's effortless fusion of jazz and science fiction" and further criticized a lack of emotional resonance, but felt the direction of Watanabe and Manglobe kept the series going. [2] Reuben Baron of The Verge, writing in a 2021 article on Watanabe's work, called Samurai Champloo the director's second most popular work after Cowboy Bebop, citing its humor and themes as positives. [114] The ambient soundtrack was ranked by IGN as tenth among their Top Ten Anime Themes and Soundtracks of All Time. [115] Notes[edit] ^ In North America through Crunchyroll (formerly known as Funimation) and in Australia through Madman Anime.
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