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Blue Drop The war against the Arume spans from 2000 to 2008, culminating in the victory of the aliens. Subsequently, in 2009, the Arume seize control of the Japanese government, setting the stage for the events in the Blue Drop storylines. 43. Scum’s Wish Hanabi Yasuraoka, a popular high school student, harbors an unrequited love for her childhood friend and current homeroom teacher, Narumi Kanai. When she notices Narumi’s attraction to the new music teacher, Akane Minagawa, Hanabi realizes his feelings have shifted. Meanwhile, Mugi Awaya, another popular student, falls for Akane, who was once his college tutor. To cope with their unattainable love, Hanabi and Mugi enter into a relationship to fill the emotional void despite not having romantic feelings for each other. 42. Sound! Euphonium The Kitauji Secondary Education Institute, once a national champion in competitions, faced setbacks when the club advisor changed,
preventing them from participating in knockout tournaments. With the arrival of a new advisor, the students undergo continuous improvement, honing their musical skills. Amidst the competition,
some students opt for academic priorities and withdraw from club activities.
Breath-taking landscapes, delightful character designs and a keen attention to detail are lucid across its runtime, constantly emphasizing the smaller moments just as much as the larger ones. It takes a special group on staff to pour so much effort into each scene, having managed to hold up over 30 years since its release. They did a remarkable job, especially when realizing this was being produced alongside Ghibli’s other feature film at the time, My Neighbor Totoro. Both impressive in their production, but ironically have conflicting views on innocence; where Totoro celebrates the blossoming times of childhood, here those wonders are short-lived; slowly crushed under the weight our leads are burdened with.
A brief overview of the synopsis would give the impression that Grave of the Fireflies is first and foremost an anti-war film, depicting the harsh nature and consequences of conflict for the audience to bear witness to. Takahata actively denied this notion, saying he intended the film as a glimpse into lives affected from society failing to protect its own people.
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