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^ "'Fruits Basket' Tops Bookstore Sales". ICv2. June 24, 2005. Archived from the original on October 3, 2012. Retrieved December 3, 2009. ^ Reid, Calvin (April 5, 2004).

She has a similar appearance as Maru. Kona (コナ) Voiced by: Toshiyuki Toyonaga[2] (Japanese); AJ Beckles[3] (English) The oldest of the facility children who is a talented artist, although his drawings seem peculiar. Mimihime (ミミヒメ) Voiced by: Misato Fukuen[2] (Japanese); Tia Ballard[3] (English) A socially inept girl from the facility who seems to be clairvoyant. Shiro (シロ) Voiced by: Shunsuke Takeuchi[2] (Japanese); Hao Feng[3] (English) An observant, tech-savvy boy who seems to be attracted to Mimihime. Kuku (クク) Voiced by: Tomoyo Kurosawa[2] (Japanese); Madeleine Morris[3] (English) The youngest of the children, she is very agile and curious. Taka (タカ) Voiced by: Yūki Shin[2] (Japanese); John Choi[3] (English) A very athletic and energetic child. Anzu (アンズ) Voiced by: Misato Matsuoka[2] (Japanese); Courtney Lin[6] (English) A young girl in the facility who loves to dance and swim. Tarao (タラオ) Voiced by: Kei ShindōEp. 1 credits (Japanese); Xanthe Huynh[7] (English) A young boy close to Tokio who is suffering from a debilitating disease. Iwa (イワ) Voiced by: Satomi Kobashi[8] (Japanese); Felecia Angelle[7] (English) A young girl who is attracted to her classmate Nanaki. They are often seen kissing each other.

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An example would be the focussing upon the bruises of Hinazuki. As for the art style itself, I personally didn't like it and found it off in some situations, be it in the character design or the different facial expressions. The anime also tried to mitigate the problem regarding the mystery behind the killer by applying red eyes to suspects, yet this is a cheap alternative to creating tension, and when everyone is can have those eyes, it loses its purpose.
Concerning the soundtrack of Erased, it often uses the different compositions to its advantage to correctly portray the various atmospheres of the show, intertwining with the dialogue: piano, violins, xylophones, gloomy tones, you name it. There is fact a huge preference to classical instruments, which was a good choice. The opening and endings were equally well crafted, presenting the themes the anime had to offer with some pop tunes to it. As for the voice actors, these generally performed their tasks well, complying with the different personalities of the cast. This wasn't entirely the case with the protagonists, where no significant difference could be appreciated from his various emotional states.
~Enjoyment~
Erased had some potential, yet failed in executing the basic elements of the show, which was due to the little issues that ultimately snowballed into bigger ones - which is a shame, as its direction and usage of animation was befitting and well executed. I quite honestly did not enjoy the series at all, despite being intrigued by the first batch of episodes: the characters, lack of expansion upon key elements as the villain or time travelling gimmick are just a few of the many issues that made it a bad anime. It fails in providing a good mystery with cheap cliffhangers and shock factor to accomplish tension. Mania. com. August 18, 2007. Archived from the original on April 17, 2009. Retrieved January 24, 2024. ^ Hodgkins, Crystalyn (July 17, 2012).
Adrian Marcano from Inverse considered Hunter × Hunter 2011 to be one of the greatest anime series ever. He said that the anime set itself apart with one of the greatest story arcs in anime history in which the villain, not the hero, takes the anime to instant classic status. He also said that, "It is in the 2011 version where we see probably one of the best story arcs in anime history: the Chimera Ant Arc. "[148] According to Movie News Guide and Latin Post, the Madhouse's 2011 version received more viewers not only in Japan but also around the world, particularly in North America. [149][150] Digital Fox Media's Michael Basile of Fox Sports Digital Media praised the animation quality of the new adaptation, "the animation actually appears to get better and better as the series progresses. The color palette can shift from vibrant and inviting to grim and menacing at the drop of a hat, the character designs are unique and appealing, the CG is very minimal, and the action sequences are some of the best that the shonen genre has ever produced, on-par with the best works of Studio Bones. It's almost miraculous how consistently beautiful this anime is. " He also considered it to be "one of the best anime of all time. "[151] Nick Creamer held similar sentiments, writing "the show's fantastic aesthetics elevate it above almost everything out there – in direction, in sound design, in pacing, in animation, in basically every relevant aesthetic metric, Hunter × Hunter triumphs. That it's been maintaining this level of quality for well over a hundred episodes is nothing short of astonishing. "[152] Trivia From its debut (issue 14, 1998) to the present day (issue 22, 2019), Hunter × Hunter has been absent from Weekly Shonen Jump 627 times.