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^ Loo, Egan (August 20, 2018). "Vinland Saga Anime Unveils Main Staff, Visual". Anime News Network. Archived from the original on August 20, 2018. Retrieved August 20, 2018. ^ Loo, Egan (February 6, 2019).

Nagaike, Kazumi (2010). "The Sexual and Textual Politics of Japanese Lesbian Comics: Reading Romantic and Erotic Yuri Narratives". Electronic Journal of Contemporary Japanese Studies. Shamoon, Deborah (2008). "Situating the Shōjo in Shōjo Manga: Teenage Girls, Romance Comics, and Contemporary Japanese Culture". In MacWilliams, Mark (ed. ). Japanese Visual Culture: Explorations in the World of Manga and Anime. Routledge. pp. 137–54.

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A good guy, usually the protagonist, will be butting in right before a conclusive strike, the bad guy will be running away, and nothing will be resolved. It will be leaving you with blue balls since it’s not satisfactory. All this flying and shooting and screaming will amount to absolutely nothing. It’s sakuga for the sake of sakuga, there is no catharsis at the end. -There is also a good guy who is so powerful, no bad guy stands a chance against. The only way a good guy will bother to fight is if there is a lame excuse for why Reverse Kakashi is not present for ending everything in a few seconds. Which is why he will be often mysteriously away on a trip, or a barrier specifically designed for him will be keeping him out of the fight. Just lame excuses, since he kills all the tension and the stakes the moment he appears. What a big mistake; you never make someone so strong and expect the audience to give a shit after awhile. -Oh, and there is a tournament arc at some point, because there can’t be a shonen without one, and it’s easily the most boring part of the show. There are zero stakes in the fights since nobody can die, and don’t tell me you were actually worried even for a second about someone dying. Retrieved May 28, 2021. ^ a b 第6回 2002 – 手塚治虫文化賞20周年:朝日新聞デジタル (in Japanese). The Asahi Shimbun. Archived from the original on June 17, 2021. Retrieved June 17, 2021. ^ Narita, Tamotsu (December 18, 2015). 『ベルセルク』三浦建太郎が受けた『スター・ウォーズ』の衝撃!<1>. Da Vinci News (in Japanese). Kadokawa Corporation. Archived from the original on April 28, 2016. Retrieved June 6, 2021.
However, after remembering Date telling him that his fists are light, Ippo felt that Gedo's fists are light as they are fists that only hold onto money and that they do not hurt. Ippo kept his neck tight and charged toward Gedo, getting to his chest. After dodging a right uppercut, Ippo delivered a liver blow. The punch did not stop Gedo's movements as it only grazed him, leading Ippo to charge forward with his neck tight against Gedo's lefts again. When Ippo got to Gedo's chest, he perfectly dodged the right uppercut, however, Gedo quickly blocked his chin and his body. Remembering Date and how Kamogawa told him to stop Gedo's movements, Ippo aimed for Gedo's heart, and hit him in the heart.