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^ "Top-Selling Light Novels in Japan by Series: 2016". Anime News Network. November 30, 2016. Archived from the original on December 3, 2016. Retrieved December 8, 2016. ^ "Top-Selling Light Novels in Japan by Volume: 2016".

Vicious’ Penthouse Never seen in the anime, Vicious’ lair adds a new dimension to the unwieldy villain. Luxurious and adorned with satin, silks and marble statues, it’s a tribute to the stylish madman. If you were ever curious to see where the “galactic” magic happens, now’s your chance to see his thread count. Showrunner André Nemec (best known for other action-packed and quasi-sci endeavors such as the 2014 Teenage Mutant Ninja Turtles, Alias and Mission: Impossible—Ghost Protocol) helms the transition from anime to live-action for the series. You can read more about his approach to livening up the dystopian space romp on Polygon. Christopher Yost serves as executive producer and writer. With superhero credits under his name such as Thor: Ragnarok and The Mandalorian, the latter also being about an anti-hero bounty hunter with a complex past, Yost has certainly got this. Shinichirō Watanabe, the original anime director and creator, returns to the live-action as a creative consultant for the series. IGN sat down with Watanabe at Melbourne’s Madman Anime Festival in 2017 to talk about his inspiration behind the series, its popularity 20 years later and some unearthed sketches of his. Since the series’ end in 1998, Watanabe has gone on to create more popular genre-bending musical anime series like the hip-hop-fueled samurai tale Samurai Champloo and Carole & Tuesday, about two friends on Mars who start a band (also available on Netflix). In 2019, Watanabe joined director Motonobu Hori at MCM London Comic-Con to talk about Carole & Tuesday, musical influences on Cowboy Bebop and more.

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The amount of subliminal and not-so-subliminal women hating in this show is truly epic, based, and redpilled. Needless to say, Tomodachi Game is a truly brilliant anime that always stays on message.
These degenerate themes and farcical friendships reach their meager peak during the end of the first arc. After God Yuichi lays out the oh-so ingenious manner in which he enacted his master plan to oust Glasses Tenji as the traitor, Glasses Tenji calls him out, saying he couldn’t have possibly been sure of his conclusion with the logic he presented, and God Yuichi concedes. “Indeed,” he says, “but the real Tomodachi Game was the friends we made along the way, old buddy. I knew you were the traitor simply because we’re friends, and I knew something was off as soon as the game began. ” In any well-written anime, this would’ve been a really powerful and emotional moment that could’ve convincingly and empathetically offered Glasses Tenji an off-ramp to redemption and reintegration into the friend group, but in this show, it just makes you roll your fucking eyes, because the whole problem with it in the first place is that these peoples’ “friendship” doesn’t exist. The show tells us they’re friends, but we never got to actually see them being friends. We never got to know any of them, and their—I hesitate to use the word—personalities don’t play off each other with any more chemistry than you’d expect considering the archetypes they embody. They’re just stock character templates with voice actors and actresses transforming them into cardboard cutouts that just happen to have the ability to speak.
Actually, wrong metaphor there, because cardboard cutouts wouldn’t be off-model nearly as much as these fucking people, and by “people,” I mean crimes against art, and by “art,” I mean shit, and by “shit,” I mean this fucking show. [18] The series finished its run in Weekly Shōnen Jump on August 21, 2023,[19][20] and resumed in Jump Giga on December 25 of the same year. [21][22] Shueisha has collected its chapters into individual tankōbon volumes. The first volume was published on June 4, 2015. [23] As of February 2, 2024, 36 volumes have been released. [24] On February 9, 2015, Viz Media announced that they would publish the first three chapters of the series in their Weekly Shonen Jump digital magazine as part of their "Jump Start" program in North America. [25] On March 30, 2015, they announced that the series would join their weekly lineup, beginning with the fourth chapter on April 6, and publishing at an accelerated rate until the chapters were current with Japan.