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[40] The script meetings were unusually long, beginning with the synopsis and ending up with the final form, alongside off-topic conversation that was sometimes incorporated into that episode's plot. [8] Due to Watanabe's reputation and the success of his projects in the West, the anime was created with a Western audience in mind with the expectation that it would be more successful outside Japan. This resulted in more overt references to Western culture being included. [41] An assassin character who appeared in the second episode was intended to appear during the finale, but he was cut due to time constraints and a general lack of people remembering his earlier appearance. [5] Nakazawa had trouble getting a feel for the characters, with Mugen's design still going through adjustments when production on the first episode began. For the animation of Mugen's fighting style, the team used gymnastic footage as a reference alongside incorporating breakdancing moves. For Jin, Nakazawa "ignored all of the conventions" for sword fighting and kept his fighting style inconsistent throughout the series, basing his reactions and tactics on combat sports. He broke animation conventions to make these techniques work, confusing the animation team. For his work as art director after joining during production of the first episode, Waki was instructed to create extremes of light and darkness in scenes, creating a realistic impression of the period when artificial light sources were scarce and expensive. The variety and more contemporary elements prevented Waki from growing bored with the Edo setting. [21] The approach to the animation, lacking an overarching plan, was described as a reflection of the lead characters' non-conformist personalities.

The emotional weight of his fights and career was more powerful than anything Ippo ever managed to achieve.
Ippo's romantic life is also given some focus, but it seems more like an afterthought. His romantic interest, Kumi Mashiba, is your typical ideal domestic housewife and devoted fan. Her relationship with Ippo begins with a quick meeting at a flower shop very early in the show and, despite their insistent tendency to meet frequently, it never really progresses very far.
Regardless of Ippo's boring fights, there are moments of interesting boxing action. Specifically, the writing and choreography of the fights seem to become levels better when Ippo is not one of the participants. This shows in two places in the show - a short arc about Ichiro Miyata training in Mexico, and the subplot about Takamura Mamoru earning and defending his title. In both of these the viewer finds more complex characters and detailed, well-thought out fights that capitalize on everything their respective subplots have to offer. If only there was more of these sorts of fights and less of Ippo winning not because he deserves it but because he has to win somehow for the plot to progress.
The animation is a real highlight of the show, at least during the fights. The camera feels loose and free, not restrained by the cheap but easy to animate single angles that usually plague TV anime.

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1Japanese 3Notes 4References 5External links Toggle the table of contents Demon Slayer: Kimetsu no Yaiba (season 3) 7 languages EspañolFrançais한국어हिन्दीРусскийTiếng Việt中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version From Wikipedia, the free encyclopedia Third season of Demon Slayer: Kimetsu no Yaiba Season of television series Demon Slayer:
Kimetsu no YaibaSeason 3Cover art for the first home media volume of Swordsmith Village Arc, featuring Love Hashira Mitsuri KanrojiCountry of originJapanNo. of episodes11ReleaseOriginal networkFuji TelevisionOriginal releaseApril 9 (2023-04-09) –
June 18, 2023 (2023-06-18)Season chronology← Previous
Season 2Next →
Season 4List of episodes Demon Slayer: Kimetsu no Yaiba is a Japanese anime television series based on Koyoharu Gotouge's manga series of the same name. At the end of the second-season finale, a third season covering the manga's "Swordsmith Village" arc was announced. [1] The third season, titled Demon Slayer: Kimetsu no Yaiba – Swordsmith Village Arc,[a] adapts from the 12th volume to the 15th volume (chapters 98–127) of the manga and aired from April 9 to June 18, 2023. [2][3][4] The season was directed by Haruo Sotozaki, with character designs by Akira Matsushima who also serves as a chief animation director, and animation produced by Ufotable; the main cast from the second season also returned. [1] On February 3, 2023, a compilation film titled Demon Slayer: Kimetsu no Yaiba – To the Swordsmith Village, which includes footage from the final two episodes of Entertainment District Arc and an advanced screening of the first Swordsmith Village Arc episode, premiered in Japan. [2] Crunchyroll has licensed the season, and began streaming an English dub on May 28, 2023. [5][6] The opening theme is "Kizuna no Kiseki" (絆ノ奇跡, lit. "Miracle of Bonds"), while the ending theme is "Koi Kogare" (コイコガレ, lit. "Yearning"), both performed by Man with a Mission and Milet. [7] "Kamado Nezuko no Uta" (竈門襧豆子のうた, "Nezuko Kamado's Song") by Go Shiina featuring Nami Nakagawa is featured as an insert song in the season finale episode. 09. "20th Century Boys Film's World Premiere Held in Paris". Anime News Network. Archived from the original on December 8, 2022. Retrieved February 15, 2023. ^ "20世紀少年-第1章-終わりの始まり-通常版-DVD". Amazon Japan. Archived from the original on November 27, 2022. Retrieved September 19, 2017. ^ YesAsia product listing: yesasia. com Archived March 3, 2016, at the Wayback Machine ^ Product listing at official company website: 4digitalmedia.