sawako : kimi ni todoke
C’est toujours l’un des meilleurs sites de streaming d’animes (et de mangas) en VF et VOSTFR. Il dispose d’un nombre énorme de séries ! Ce site est très bien fait, très pratique et totalement gratuit. Il ne diffuse pas trop de publicités et les vidéos sont de très bonne qualité. On trouve facilement la
version HD en VF et VOSTFR. Pour la recherche, StreamingAnimes (ex-DbAnimes) met à
votre disposition un filtre alphabétique juste en haut, un classement des meilleurs animes et une liste assez complète qui fera sans doute votre bonheur ! Pour ceux qui veulent se faire des amis, un
petit chat room très actif est disponible sur la page d’accueil. Le site est simple d’utilisation : tout est clair et net, vous pouvez facilement trouver votre anime préféré. Le site est bien à jour, 30-Anime-gate Anime-gate. net c’est le site de référence en matière d’actualité pour les animes et mangas. Le site n’offre pas le streaming en VF et VOSTFR, mais il offre toutes les informations du monde des animes. Il met à votre disposition un classement avancé par note. Chaque anime est noté sur 10 par les utilisateurs, ainsi qu’un pourcentage de ceux qui l’ont aimé.
The author should’ve simply played to his strengths of writing a
fantasy epic (as flawed as it already was) instead of trying to write character-driven introspectives, since he can’t write believable characters and character dynamics. Dialogues are extremely corny and all the characters seem to have IQs on the left end of the bell curve in order for the plot to
progress based on unintelligent character decisions, accidental happenings, poor character drama as well as plot conveniences as if the causality of this world flows to the tune of Rudeus. A good example of this is the embarrassing feud between Rudeus and Sara, but there isn’t a more egregious one than the entire “will-they-won’t-they” plotline between Rudeus and Sylphiette which is excruciatingly self-aggrandized into seven episodes of non-happenings between an apparently dunce MC who (still) lacks any social cues and a love interest who apparently only now is discovering the basics of life; dragged on so the finale can serve as a “reward” for the viewer because this anime knows exactly the people it caters to. The main cast is just exaggerated isomorphs of trite and vapid anime archetypes whilst most of the rest of the cast are one-notes who will typically be used for comedy relief that stops being funny the second or third time the joke is made--such as Elinalise, who's entire character revolves around sex and represents everything vulgar about the series. One might've thought Eris was the most annoying female in the series for her muscle-brained tsundere demeanour, but turns out Sylphiette and Elinalise are even worse. Seems as though every season there’s only one respectable, dynamic character in the narrative. Last season this was Ruijierd and this time it seems to be Ariel, though it's too bad she's unable to carry like the former.
TL;DR: Inconsistent and mediocre production values, bad compositing, no directional finesse, dreadful and bloated storyboards, lethargic pacing, repulsive thematics, drenched in plot contrivances, good character designs with annoyingly awful character-writing and even worse character drama, extremely derivative world, infantile humour, and atrocious dialogue.
Mushoku Tensei takes a subgenre of anime culture that’s always been tawdry, packages it in a fantasy epic, and the package starts leaking and creasing to the inside contents. Any sophistication that the show suggested it might have in the first season is thrown out the window, and production values can't save it this time. If you want an immersive and cinematic fantasy epic, watch Wit's Attack on Titan or Ufotable's Fate/Zero.
[12] Kei (ケイ) Kei (born March 8, 2002),[11] full name unknown, is the secondary protagonist of Akira. Strong-willed and sensitive, she is a member of the terrorist resistance movement led by the government mole Nezu. She initially claims to be the sister of fellow resistance fighter Ryu, though it is implied that this is not true. Kei at first views
Kaneda with contempt, finding him arrogant, gluttonous and chauvinistic. However, in volume 4, Lady Miyako deduces that she has fallen in love with him, and they become
romantically involved following Kaneda's return in volume 5. Kei is a powerful medium who cannot use psychic powers of her own but can channel the powers of others through her body.
