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Retrieved February 14, 2021. ^ 「鬼滅の刃」累計1億5000万部を突破!3月には塗絵帳が2冊同時発売. Comic
Natalie (in Japanese). Natasha, Inc. February 15, 2021. Archived from the original on February 14, 2021. Retrieved February 14, 2021. ^ Hodgkins, Crystalyn (July 13, 2021). "Demon Slayer:
Kimetsu no Yaiba Entertainment District Arc Anime
Teased in Visual". Anime News Network. Archived from the original on July 13, 2021.
We’re treated to so many short moments, gestures, and facial expressions which all tell a little story in and of themselves, and they exhibit character development in a nuanced manner any other show would
devote five minutes to explaining with overwrought, melodramatic dialogue. But this is something I really liked about it. The show doesn't spoon-feed you, and it rewards you for paying attention and treating its characters like people. It’s not “high-IQ. ” It’s just dense visual storytelling. Very few times in my life have I had the privilege to witness a series which pushes all my buttons so well and in so many ways, and even if you don’t share my exact aesthetic preferences, I promise you'll agree when I say Sonny Boy is an audiovisual masterclass.
What depth it lacks in the theme department, it more than makes up for in the character department, and not simply because they brought Hisashi Eguchi back from the grave. Natsume stated in an interview, “Sonny Boy is a simple story about a boy growing up and people drifting apart,” and the only reason he imagined it with such an abstract presentation was simply because “life can be absurd and inexplainable sometimes, and you
find yourself asking ‘Why?’ a lot. ” To me, this is very obvious. The tangible plot of Sonny Boy is a straightforward mystery box which just so happens to have a great deal of surreal elements, but this simplicity is a good thing, because with all the symbolism and character details you already have to keep track of, any narrative structure more complex than this would’ve been way too overbearing and—now that I mention it—probably would’ve made the series as confusing as everyone already says it is. What makes the cast so good is a combination of the expressive character animation I mentioned earlier and the fact Natsume personally wrote the script for every episode, making every character feel consistent.
While doing roadwork, Ippo informed Aoki, Kimura, and Itagaki of the event and wondered if the bad things that keep happening to Takamura are really just a coincidence. After watching Takamura defeat his sparring partner, Ippo found Takamura running water on his right leg. Ippo figured that his right leg must be injured from jumping off the hood of the vehicle while saving the boy, which Takamura requested for him to not tell Kamogawa
about it. Ippo mentioned to Takamura that he has noticed that the weight control is still affecting him despite moving up a weight class, and his movements are dull, advising him to focus on recovering. When Takamura showed him some shredded material that he found in his pocket after the accident, Ippo realised that it is the remains of the voodoo doll that he put into Takamura's pocket,
thankful that it protected him. Ippo wrapped Takamura's leg with a bandage with sutra writing on it. Later, Ippo waited outside Takamura's house in order to be Takamura's chaperone. When Ippo was about to walk with Takamura, he noticed a falling potted plant that is about to hit Takamura's head. Ippo quickly punched the potted plant before it hit Takamura's head, however, Ippo was hit by Takamura since he thought that Ippo was trying to attack him. Ippo praying for Takamura's victory against Dragon. The day before Dragon is scheduled to arrive to Japan, Ippo believed that it would take a miracle for Dragon to arrive in Japan due to the typhoon.
