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Rich of DVD Talk felt too much had to be cut to fit three films, with the development of characters suffering as a result. He did comment on how close the actors looked to their comic book counterparts and ultimately recommended the film. [87] In an opposite view, both The Guardian's Cath Clarke and Time Out London's Trevor Johnston gave the first film two out of five stars and cited the faithfulness to the manga as a negative, feeling that some of the material could have been cut. [88][89] Charles Webb of Twitch Film voiced similar criticism in a review of the second film. However, he praised the character Friend and Etsushi Toyokawa's performance as Occho, as well as the ending that makes the viewer anticipate the final installment in the trilogy. [90] Jamie S.

GS: You say that everyone helped out where they could. Who came up with those memorable ad campaigns, such as the weenie ads and the "Bigger, Badder, Better" blitz? Sometime in the mid-'90s, I remember seeing the phrase "The Future is Now" appearing with the SNK logo. How did that come about? CO: Kent Russell was the first VP of marketing for SNK's home system, and he led the charge to fully market the NeoGeo in all its glory. He put together a huge marketing campaign, which included ads in many magazines and television commercials on target networks. This campaign used the slogan, "Bigger, Badder, Better," and many controversial ads came out of this. Kent wanted all of the marketing, packaging, and PR to have a unified message.

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^ "Tokyo Revengers começa a ser publicado semana que vem no Brasil pela editora JBC". crunchyroll. com (in Portuguese). January 19, 2022. Archived from the original on May 19, 2022. Retrieved April 15, 2022. ^ "Manga Tokyo Revengers sẽ được phát hành tại Việt Nam - CĐM phát cuồng!". lag. vn (in Vietnamese). March 21, 2022. Archived from the original on May 22, 2022. And fair enough. But equally fair is the question of why they chose rape in particular, rather than some other wretched act that would make you want to see goblin heads hitting the floor. Hatred was necessary for the story to continue, but not so much rape itself. My guess is the author chose that route because other fantasy series such as Re:Zero have already done the same with violence alone. The author wanted to set their series apart, to invoke a sort of hatred that anime-only viewers have rarely or perhaps never experienced before, and, well, the result of that is laid bare for all to see: angry westerners, and Japanese fans who just want to see some dead-ass goblins.
It is not so much from an artistic perspective that I am defending the author's choice, however.