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January 12th 2013: "Soul Eater" Chapter 106 released in Japan. December 11th 2012: "Soul Eater" Chapter 105 released in Japan. November 11th 2012: "Soul Eater" Chapter 104 released in Japan. October 11th 2012: "Soul Eater" Chapter 103 released in Japan. September 15th 2012: "Soul Eater" Chapter 102 released in Japan. August 15th 2012: "Soul Eater" Chapter 101 released in Japan.

Archived from the original on May 8, 2022. Retrieved March 16, 2022. ^ TAAF2021アニメ オブ ザ イヤー部門作品賞は『劇場版 ヴァイオレット・エヴァーガーデン』と『映像研には手を出すな!』に決定! (in Japanese). Tokyo Anime Awards Festival. February 12, 2021. Archived from the original on February 8, 2022. Retrieved February 14, 2020. ^ Loveridge, Lynzee (January 11, 2020). "Carole & Tuesday, Demon Slayer, Vinland Saga Land Most Nominations for Crunchyroll's Anime Awards". Anime News Network. Archived from the original on September 22, 2022.

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Cid is portrayed as being consistently “cool” and slick. The “Rule of Cool” is fine for an occasional indulgence, but to make it a part of the show’s framework is a dangerous game. Cid Kagenou is *The Eminence in Shadow’s* attempt to make the “Rule of Cool” personified via the main protagonist.
Yet in all that time focusing on him, most of the ensemble gets left out in the lurch. The “Greek chorus,” or the series of women who serve under Cid in Shadow Garden, are the prime example. They are caricatures rather than characters, a harem in principle and occasional sexual connotation, though not with Cid himself. No chance is given to develop many of them into substantial beings—they don’t even get names beyond Greek letter designations, hence why I referred to them as “Greek chorus” before—because the show’s structure deemphasizes their own relevance. Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information. There’s a bizarre fixation on several of them being either competitive, protective, or envious of other members’ breasts. Even when they fight, the moments themselves do barely enough to give the women a sense of dimension. It took nearly one dozen episodes of their sporadic appearance before I finally learned who was named what. The characters experience "despair" while they are trapped in the school and Makoto provides more emotional support to the cast across the story, giving the actress a far more optimistic message that the students are going to survive. [47] In Goodbye Despair a new character named Nagito Komaeda was introduced with the same Lucky Talent as Makoto. However, the staff considered them opposites based on their ideals of hope. In contrast to Makoto's heroic ideals of obtaining hope, Nagito instead embraces the idea of despair, believing that from any corrupted work the cast can find salvation. [48][49] The anime End of Hope's Peak Academy introduces a rival to Makoto named Kyosuke Munakata who shares similar ideals but is corrupted due to his friends' death, and thus contradicts Makoto's ideals. Across the story, Makoto carries the "burdens of hope" regardless of how difficult are his challenges, allowing him to redeem Kyosuke. [50] For the third and latest game, Danganronpa V3: Killing Harmony, Kodaka decided to focus on a new theme: lie. This is represented through mysteries and surprises the player gets while playing the game. Kodaka claims that games would understand the ideals of lies when presented with the culprits. He was inspired by a mafia-like game where the answers are not provided to the player and thus wanted Danganronpa to go through this style in terms of writing. This mostly presented during the new gameplay elements from Killing Harmony as the player can enter into hidden routes when interacting with the rest of the cast.
^ Hodgkins, Crystalyn (July 17, 2012). "Discotek Media Adds Golden Boy Video Anime". Anime News Network. Archived from the original on January 21, 2022. Retrieved January 24, 2024. ^ "Golden Boy: The Complete Series on 2 DVDs".