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In Japan itself, "anime" is a broad term for anything animated (being shorthand for the loanword "animation"), so technically, all of these examples are "anime" whether or not they are classic Japanese-style anime. Animesque art is a case of a 'full-circle' evolution, because the Japanese anime style was inspired by classical American theatrical animation of the 1930s and 1940s. For example, the big eyes of anime characters were taken straight from such works as Bambi and the old Fleischer shorts — think Betty Boop. The father of manga himself, Osamu Tezuka, was mainly inspired by the style of Carl Barks. This style was pretty prevalent in the early 2000s due to the international rise of the anime boom in media, with many following the trend. Nowadays, not so much, now that anime is pretty commonplace, though still a design choice for some.

The school is depicted as a kind of thought experiment in a world where sexual elements are abolished. The Hiruko in general were based on diseases as well as Cambrian-period organisms. [18] Adaptation[edit] Director Hirotaka Mori was worried about whether or not he would be able to handle it. However, he had known the animation producer Masashi Ohira for a long time since he started directing, who motivated him to work on it. He felt like he was going to have a good time. As much as the expectations have been raised, Mori felt stronger that he had to make a proper product, and meet everyone's expectations.

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After Kojiro's arc ends, Musashi meets Kojiro again while playing with a snowman simulating a brief sword fight in the process. Musashi meets Matahachi who expresses jealousy over Musashi's achievements and apparent relationship with Otsu. This angers Musashi and leaves his old friend. Musashi then fights the 70 Yoshioka all alone. Although he kills all of them, one of them leaves him with a severe wound. The aftermath of Musashi's solo battle, has him his return to wandering despite being offered the position of mentor. Meanwhile, Matahachi's mother passes away, leaving his son to tell the story of the manga. Musashi's new wandering leads him meet the orphan Iori, whom he decides to raise while dealing with a village with poor fields. Musashi, Iori and Toyozaemon's journey to the retirement estate of Yūsai Hosokawa, Otsū and Jōtarō's situation living with the Yagyū, while Kojirō deals with the Hosokawa. Production[edit] While borrowing content from the Musashi novel, Takehiko Inoue took liberties when writing Vagabond, most notably the fight between the protagonist and the 70 Yoshioka which was one of the hardest to draw. After finishing the basketball manga Slam Dunk, Takehiko Inoue wanted to write something more realistic. 103 eps • 2016–2023103 episodes • 2016–2023Yûki KajiShouto Todoroki98 eps • 2016–202398 episodes • 2016–2023Luci ChristianOchaco Uraraka. 97 eps • 2016–202397 episodes • 2016–2023Kaito IshikawaTenya Iida. 96 eps • 2016–202396 episodes • 2016–2023David MatrangaShoto Todoroki.