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Tokyo MX. Archived from the original on October 31, 2020. Retrieved October 31, 2020. 第26話 新たなる任務 (in Japanese). Tokyo MX. Archived from the original on November 2, 2020.

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2% were heterosexual women, 4. 7% were non-heterosexual men, and 1. 2% identified as "other". [107] Regarding age, 69% of respondents were between 16 and 25 years old. Maser's study reinforced the notion of the yuri fandom being split somewhat equally between men and women, as well as highlighting the differing sexualities within it. [108] Relation to lesbianism[edit] Semantic relationship[edit] While the term yuri is synonymous with lesbianism in the west, the relationship between yuri and lesbianism is more tenuous in Japan. While yuri was strongly associated with lesbianism in Japan in the 1970s and 1980s, the correlation between the terms has weakened over time. [109] Though Japanese fans, journalists, and publishers recognize that yuri and lesbianism share common characteristics, they can specifically segregate the terms as concepts, with Comic Yurihime editor Seitarō Nakamura stating that "in general, [yuri is] not [about] lesbians [rezubian] with a carnal relationship. "[109] Japanese lesbian and queer magazines in the 1990s often opposed the conflation of yuri with lesbianism, likely due to its prior connotation with male-oriented pornography. [109] Erin Subramian of Yuricon explains that most Japanese people see the term "lesbian" as describing either "abnormal people in pornography or strange people in other countries. "[110] Maser concurs that yuri is a genre primarily focused on ideals of beauty, purity, innocence, and spirituality before sexual identity; focus is placed on "connection between hearts" rather than "connection between bodies. [60][61][62] A Slam Dunk coin-operated arcade game developed by Video System and published by Banpresto was released in 1995, which was called From TV Animation Slam Dunk: Super Slams. During development, the game was called 3 on 3 Dunk Madness and did not have the Slam Dunk license. Characters of the series also appear in the Nintendo DS games Jump Super Stars and Jump Ultimate Stars. [63][64] Unofficial game modifications have been made by fans for NBA 2K13 (PC Version). [65] Reception[edit] Manga[edit] Slam Dunk was awarded the 40th Shogakukan Manga Award in the shōnen category in 1994. [66] It ranked second, only behind Kingdom, on the first annual Tsutaya Comic Awards' All-Time Best Section in 2017. [67] In a poll of close to 79,000 Japanese for the 10th Japan Media Arts Festival in 2006, Slam Dunk was voted the #1 manga of all time. [68] In the Japanese government's 2009 Media Arts 100 Poll of the public's favorite works of art of all time, Slam Dunk took first place in the manga division. [69] In a survey from Oricon in 2009, it was ranked first as the manga that fans wanted to be turned into a live-action film. [70] In November 2014, readers of Media Factory's Da Vinci magazine voted Slam Dunk as the fourth Weekly Shōnen Jump's greatest manga series of all time. [71] On TV Asahi's Manga Sōsenkyo 2021 poll, in which 150,000 people voted for their top 100 manga series, Slam Dunk ranked third, only behind One Piece and Demon Slayer: Kimetsu no Yaiba.
[115] JoJo contributed to Stan Walker's 2022 album All In, collaborating on the song "Remember Us", which she also co-wrote. [116] On April 11, 2023, JoJo made her Broadway debut in the leading role of Satine in Moulin Rouge! The Musical. [117] On February 9, 2024, JoJo released a cover of the REO Speedwagon single, "Can't Fight This Feeling". The single was featured in the 2024 film Lisa Frankenstein, directed by JoJo's friend and sometime-collaborator, Zelda Williams. [118][119] A music video was released the day before, interspersing clips from the film and JoJo performing the song in a recording studio. [120] Artistry[edit] JoJo in 2011 Musically, JoJo is considered to be primarily a pop and R&B artist;[121] however, the majority of her singles tend to lean more towards the former as a marketing tool.