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However, my reasons for full-heartedly endorsing the show are probably not the reasons that the creators would probably like. For now, just hold on to that thought, we'll discuss why later.
And with that long-winded preface out of the way, it's time to continue our tour.
Stepping out of a convenience store in modern day Japan and being transported to a medieval fantasy world for no more reason than the writers saying, "We need to start the story somehow," our main protagonist, Suburu, enters Capital City; the epicenter of commerce for this foreign land of Lugunica and the place that would mark his burial ground on several occasions to come. After he comes in contact with a mysterious silver-haired girl named Emilia, he finds himself caught up in a web of deceit, hidden mysteries behind every corner and a bad case of groundhogs day that's marked with the end of his life.
And so goes the rest of his journey, constantly being respawned at key locations similar to game save checkpoints until he conquers a life-threatening obstacle. Death, birth, repeat. A rat churning cream to avoid drowning and hoping its efforts would create butter, allowing for solid ground to escape its entrapment. Some might refer to this as "torture porn" or a snuff film in animated form. And while I might find these sentiments to be a bit overstated, I still can't help but feel like there's an underlying truth to that way of thinking.
There's always a feeling that gnaws away at your subconscious when you watch the show.

^ HUNTER×HUNTER/37|冨樫 義博|ジャンプコミックス|BOOKNAVI|集英社 (in Japanese). Shueisha. Archived from the original on September 6, 2018. Retrieved November 4, 2022. ^ "HUNTER×HUNTER総集編 Treasure 1" (in Japanese). Shueisha. 2002. ISBN 4-08-873358-4. ^ a b Pineda, Rafael Antonio (January 10, 2019). "One Piece Creator: The End is Near, But Series Will Be Just Over 100 Volumes". Anime News Network.

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10"A Past Erased"
Transliteration: "Kesareta Kako" (Japanese: 消された過去)Yukiyo TeramotoTatsuhiko UrahataJune 9, 2004 (2004-06-09)November 9, 2009 While investigating the murder of a prominent councilman and his wife at the Springer Estate in Verden, Tenma encounters the petty criminal Otto Heckel and escapes with him. Heckel suggests that they could make good money by operating on wounded criminals, but also reveals that he knows the councilman's killer. They visit the killer who is remorseful, duped by a man called Erich into committing the murders. But before Tenma can extract any more information, he kills himself. In order to pay his debts, Heckel arranges for Tenma to be abducted to treat a wounded man who is a suspect in a terrorist attack. Despite being threatened, Tenma decides to save him anyway. 11"511 Kinderheim"
Transliteration: "511 Kindāhaimu" (Japanese: 511キンダーハイム)Kentarō NakamuraTatsuhiko UrahataJune 16, 2004 (2004-06-16)November 16, 2009 While investigating in the former East Germany, Tenma discovers that Johan was adopted by the Lieberts from an orphanage called 511 Kinderheim which is now abandoned. He contacts Hartmann, a former district official with the Ministry, who explains that the orphanage was an extremely harsh environment for the children, ruled by fear and violence. There, Tenma also encounters a boy under Hartmann's care named Dieter. When Tenma discovers Dieter's body is covered with bruises, he confronts Hartmann and takes Dieter to the hospital. Tenma then goes to another orphanage where the director Elna Tyce tells him that 511 Kinderheim was an East German experimental laboratory. Archived from the original on April 19, 2019. Retrieved April 19, 2019. ^ 第1話 残酷 (in Japanese). Tokyo MX. Archived from the original on October 31, 2020. Retrieved October 31, 2020.