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The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.
The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show. The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner. That said, as this show has quite a focus on human nature, there is an element of romance there, but it’s more that the show tries to explore human emotions, sexuality, and gender, so how the relationship is handled is quite natural and interesting to watch. They both have past traumas, and I have stated in my past reviews about my disdain for “sob story backstories”— but when an anime can build upon the traumatic past with developments in the present time, it can work well. In this case, it was handled quite well in this anime to create a coming of age narrative for the protagonists, as they tried to find meaning in this mess of a world they found themselves in. The children in the nursery admittedly were quite abundant and difficult to follow along at times, but with some thought, some of them still ended up being very endearing in their own ways along with the protagonists of the outside world.

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Literally. All of the power. We call god-modding on ten of these overpowered anime characters. by Littoface 352,394 views MoreTop Anime 1 Sousou no Frieren 2 Fullmetal Alchemist: Brotherhood 3 Steins;Gate 4 Gintama° 5 Shingeki no Kyojin Season 3 Part 2 MoreTop Airing Anime 1 Sousou no Frieren 2 Kusuriya no Hitorigoto 3 Boku no Kokoro no Yabai Yatsu Season 2 4 Kingdom 5th Season 5 One Piece MoreMost Popular Characters 1 Lamperouge, Lelouch 2 Levi 3 Monkey D. , Luffy 4 Lawliet, L 5 Roronoa, Zoro Home About Press Room Support Advertising FAQ Terms Privacy Privacy Settings Do Not Sell My Personal Information Cookie Notice at Collection Sitemap Login Sign Up Tokyo Otaku Mode Honeyfeed Manga Store MyAnimeList. net is a property of MyAnimeList Co. ,Ltd. ©2024 All Rights Reserved. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your Name - Wikipedia Jump to content Main menu Main menu move to sidebar hide Navigation Main pageContentsCurrent eventsRandom articleAbout WikipediaContact usDonate Contribute HelpLearn to editCommunity portalRecent changesUpload file Search Search Create account Log in Personal tools Create account Log in Pages for logged out editors learn more ContributionsTalk Contents move to sidebar hide (Top) 1Plot 2Characters 3Production 4Music 5Release Toggle Release subsection 5. 1Home media 5. ^ "Anime is Booming. So Why Are Animators Living in Poverty?". The New York Times. February 24, 2021. Archived from the original on December 28, 2021. ^ "Despite global anime market's explosive growth, Japan's animators continue to live in poverty".