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His intelligence is immensely high in terms of martial prowess, a resourceful and tactful fighter who uses multiple styles of combat at once when facing his adversaries. Makes use of savvy and rather pragmatic tactics to gain an advantage over opponents,
such as using his blood to blind them. Knows how to effectively rattle someone's brain by a positioned punch to the chin. Capable of imagining and even outright interacting to some degree with mental visualizations of creatures and individuals to develop new stances and techniques without the need of them physically being there. At the same time, a significant portion of his time primarily focused on training or fighting much of his formal education is spent sleeping in class. Usually, Baki
never actively fights with anybody weaker than him and has no desire to hurt any of the thugs that constantly try to attack him. This version of his personality was shown an enormous contrast later in Grappler Baki, though, when Baki was 13. At this point in the story, Baki is a cocky hot-headed punk who is always looking for a battle with those he wants to prove himself to. He likely developed this attitude because of his urge to be as strong and like his father. This aspect of his personality is short-lived, though, as by the end of Baki the Grappler, Baki becomes his kind, laid-back self again while still trying to surpass Yuujirou. By then, he proclaims that he doesn't want anymore to be the strongest man alive.
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[6] Others, known as "reverse isekai", follow beings from a fantasy universe who have been transported to or reincarnated into modern-day Earth, including the anime Laidbackers, Gate, and Re:Creators. [7] An offshoot of the isekai genre is the "second chance" or "reincarnation" genre in which the protagonist, upon dying, is transported not to a different world or new body but into their own younger self. With their new knowledge and older intellect, they are able to relive their life avoiding their previous pitfalls. [citation needed] Another offshoot of the genre includes the "slow life" approach,
where the protagonist was overworked in their previous life, so decides to take it easy in the next. [4] Another offshoot is where the protagonist uses the new world to explore an interest, hobby, or goal they had in the previous world but were unable to achieve, such as studying or opening a business, like in Restaurant to Another World. [4] In many works, isekai overlaps with the harem and LitRPG genres, where the protagonist gains the affection of several potential love interests, who may or may not be human. One example of this is Harem in the Labyrinth of Another World. [8] Writing for the Journal of Anime and Manga Studies, Paul Price in his article "A Survey of the Story Elements of Isekai Manga" argues for the existence of four kinds of isekai, based on Farah Mendlesohn's framework of organizing fantasy: "portal-quest", where the protagonist enters the isekai via some kind of portal (Price cites Death March to the Parallel World Rhapsody as an example); "immersive", where no such portal exists and all the action takes place in the other world (Slayers); "intrusion", which are akin to reverse isekai in which the fantastic enters the real world (The Devil Is a Part-Timer!); and "liminal", where the portal becomes a liminal space where the real world and the isekai mix (Restaurant to Another World). [9] Hi
story[edit] The concept of isekai has antecedents in ancient Japanese literature, particularly the story of a fisherman Urashima Tarō, who saves a turtle and is brought to a wondrous undersea kingdom. After spending what he believed to be four to five days there, Urashima returns to his home village only to find himself 300 years in the future. Other precursors to isekai include portal fantasy stories from English literature, notably the novels Alice's Adventures in Wonderland (1865), A Connecticut Yankee in King Arthur's Court (1889), The Wonderful Wizard of Oz (1900), Peter Pan (1904) and The Chronicles of Narnia (1950).
