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While the incident is ongoing, Kuma and Ivankov manage to steal the Nikyu Nikyu no Mi and the Uo Uo no Mi, Model: Seiryu, which are prizes of the hunting competition. It is shown that Linlin obtained the Uo Uo no Mi, Model: Seiryu, which she later gave to Kaidou by assaulting Ivankov. Kuma consumed the Nikyu Nikyu no Mi shortly afterwards in order to keep her from taking it. After eating his Devil Fruit, Kuma is confronted by Saint Jaygarcia Saturn. Upon Kuma's declaration that he wished to save as many people as possible like Nika did, Saturn declares that is the reason why the Buccaneers have to be eradicated. Kuma, Ivankov, Ginny, and 500 other civilians and slaves are somehow able to escape God Valley and reach the Sorbet Kingdom. According to Ivankov, Morgans was responsible for covering up the details of the God Valley Incident and only reported on Garp's actions there. Ivankov later set out to sea while Ginny chose to stay and live with Kuma in the church his parents formerly tended. It is revealed that Kuma and Ginny had been slaves since they were four. Characters[] Pirates World Government Others Straw Hat Pirates Roronoa Zoro (cover) Roger Pirates Gol D. Roger Silvers Rayleigh Sunbell Scopper Gaban Millet Pine Spencer Yui Rocks Pirates Edward Newgate Buckingham Stussy Charlotte Linlin Napoleon Prometheus Shiki Streusen Kaidou John Gloriosa Five Elders Jaygarcia Saturn God's Knights Figarland Garling Marines Kong Monkey D.

Holburne Museum a servi pour le site du domaine de Lady Danbury. Pour le tournage de l'emplacement de ses bals, les jardins de Vauxhall ont été utilisés. L'équipe de production l'a recréé en combinant les parties restantes avec le Château Howard et le Stowe Park à Buckinghamshire[16]. Anthony Bridgerton et Simon Basset se rencontrent dans le vraie vie au Reform Club sur Pall Mall dans le centre de Londres[17]. La scène dans laquelle Lady Featherington emmène Marina dans les bidonvilles a été filmée à Chatham Dockyard dans le Kent. Les scènes de boxe ont été filmées à Normansfield Theatre (en) à Teddington. Pour les scènes de théâtre, c'est le théâtre Hackney Empire qui a servi de décor[18]. Casting[modifier | modifier le code] Saison 1[modifier | modifier le code] Le 19 juin 2019, Julie Andrews est choisie pour interpréter la narratrice, Lady Whistledown[19]. Le 10 juillet 2019, Phoebe Dynevor et Regé-Jean Page rejoignent la distribution principale sous les traits de Daphne Brigerton et de Simon Basset[20]. Le même jour les acteurs Jonathan Bailey, Golda Rosheuvel, Luke Newton, Claudia Jessie, Nicola Coughlan, Ruby Barker, Sabrina Bartlett, Ruth Gemmell, Adjoa Andoh et Polly Walker rejoignent la distribution[20]. Saison 2[modifier | modifier le code] Le 15 février 2021, l'actrice Simone Ashley est choisie pour le rôle principal féminin de la saison 2, Kate Sharma (appelée Kate Sheffield dans les livres)[21].

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[6] Production[edit] Concept[edit] Kazuhiro Furuhashi (left) directed the Dororo anime based on Osamu Tezuka's work. Producer[a] Manabu Otsuka said there are many charms of the anime Dororo, but he thinks the most important thing to convey is Hyakkimaru and Dororo, the two characters. It was a nice duo in the original, but the relationship between the two is quite different from the original. Hyakkimaru gradually regains his body and gradually recognizes the existence of Dororo. There are many hard depictions in the work, but Otsuka feels that there are many viewers who are healed by the interaction between the two people when they happen to be caught. He had discussions with draft artists Hiroyuki Asada and character designer Satoshi Iwataki so that modern fans would be interested in the design part first. Iwataki incorporated the soft movement expression and roundness of Tezuka into the range of Asada's painting, and the feeling of the Dororo moving around in the animation. Everyone was conscious of the fact that Dororo is cute, and I feel that it is directly conveyed to the current viewers. Being a fan of Tezuka's works, he was joyed with the idea of creating this anime. Among other staff members, Otsuka was glad Kazuhiro Furuhashi was directing the anime, based on his experience with the samurai anime Rurouni Kenshin,[10] as well as Altair: A Record of Battles. [11] Scenario[edit] The character draft was the most difficult of the production staff. Well, honestly speaking, no. It was about none of that. Overthinking anything that AGK does would be no different than waxing philosophical for the reason behind Patrick Star's Hawaiian shorts. There's no pretense behind AGK's actions, and as long as the viewer doesn't graft any grandiose ideas onto it, it could be enjoyed for what it truly is: schlocky, over-the-top deaths with shounen characters that had the stylistic sensibilities of a seinen but the emotional authority of a 15-year-old's wet dream.
And you know what? That's just fine. I sure had fun watching it.