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Works in the genre focus heavily on the beauty and innocence of their protagonists, a theme that would recur in yuri. [24] Critics have alternately considered Class S as a distinct genre from yuri,[25] as a "proto-yuri",[26] and a component of yuri. [25] 1970s and 1980s: The "dark age"[edit] In 1970, manga artist Masako Yashiro published the shōjo manga Shīkuretto Rabu (シークレットラブ, "Secret Love"), which focuses on a love triangle between two girls and a boy. Noted as the first non-Class S manga to depict an intimate relationship between women, Shīkuretto Rabu is regarded by some scholars as the first work in the yuri genre. [27] As both Yashiro and Shīkuretto Rabu are relatively obscure and the work focuses in part on male-female romance, most critics identify Shiroi Heya no Futari by Ryōko Yamagishi, published in 1971, as the first yuri manga. [28][29][30] The 1970s also saw shōjo manga that dealt with transgender characters and characters who blur gender distinctions through cross-dressing,[31] which was inspired in part by the Takarazuka Revue, an all-female theater troupe where women play male roles.[8] However, the idea for the "territory" powers from the Sensui story arc was parodied from a separate, unnamed work by Yasutaka Tsutsui. [12][13] For his drawing materials, Togashi used drafting ink and Kabura pens throughout the creation of the series. While his style of artwork began with screentone, he gradually developed into minimalism. As the series progressed, he would draw figures and faces very detailed or "cartoony, sketchy and jumping with action" whenever he desired such effects. [8] During the years he worked on YuYu Hakusho, Togashi would calculate the personal time he had based on a formula of four hours per page without scripting and five hours of sleep per night. [14] He wrote in his own dōjinshi Yoshirin de Pon! that he stopped the production on YuYu Hakusho out of selfishness. [15] The author had originally wanted to end the manga in December 1993, at the climax of the Sensui arc. [12][15] Although there was not a large demand from the editorial staff, Togashi was under a great deal of personal stress at certain points of the series' run, particularly during its final six months of publication. He claimed that, beginning with the Dark Tournament arc, inconsistent sleep resulting from overwork was causing him health problems. [15] He noted himself as being very ill while working on the color pages for Yusuke's match with Chu. [12] There were also many instances where he would create nearly entire manuscripts by himself, such as Yusuke's meeting with Raizen and the battle between Kurama and Karasu.
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