kamikatsu anime
Years later, Azur is haunted by memories of the legendary Djinn-fairy, and takes it upon himself to journey all the way to Asmar's homeland to seek her out and marry her. Now reunited, he finds that Jénane has since become a successful and rich merchant, while Asmar is now a member of the Royal Guard. However, Asmar and Azur's separation has damaged their bond and Asmar also longs to find and marry the Djinn-fairy. They must learn to work together and get along again, but only one of the two princes can be successful in his quest. [1] Cast[edit] Cyril Mourali Karim M'Riba Hiam Abbass Patrick Timsit Rayan
Mahjoub Abdelsselem Ben Amar Fatma Ben Khell Thissa d'Avila Bensalah Sofia Boutella Olivier Claverie Jacques Pater Tayeb Belmihoub Franck-Olivier Bonnet Carlos Chahine Mohamed Damraoui Michel Elias Bouchra En Nasser Nicolas Lormeau Tassadit Mandi Sonia Mankaï Hamid Nasser Mohamed Ourdache Albert Pariente Lahcen Razzougui Hichem Rostom Mahmoud Said Myriam Tekaïa Djemal Touidjine Hichem Yacoubi Omar Yami Imogen Bailey Sean Barrett Freddie
Benedict Leopold Benedict Suzanne
David Steven Kynman Nigel Lambert Suzanna Nour Nigel Pilkington Emma Tate Keith Wickham Production[edit] Ocelot describes the visual style of Azur & Asmar, as distinct from his earlier works, as being influenced by French art and Early Netherlandish painting of the 15th century (in particular, Jean Fouquet, the Limbourg brothers and Jan van Eyck), Persian miniatures and Islamic civilization from the Middle Ages until the 15th century and 16th century Safavid art. [4] Release[edit] Azur & Asmar premièred on 21 May 2006 as part of the Directors' Fortnight of the 2006 Cannes Film Festival[1] and was released to French theatres nationwide on 25 October 2006. [5] An English-subtitled version was shown at numerous film festivals including the Montreal Film Festival for Children and Sprockets Toronto International Film Festival for Children – in both cases winning the festival's audience award. At the World Festival of Animated Film Zagreb - Animafest Zagreb the film won the Grand Prix - best feature film award in 2007. The film was subsequently dubbed into English and distributed in the United Kingdom and Ireland by Soda Pictures (now known as Thunderbird Releasing) under the expanded title Azur & Asmar: The Princes' Quest, receiving a limited release which began on 8 February 2008[1] and lasted several months, most likely due to the small number of dubbed prints made (as of 27 June 2008, it was still showing at one cinema in Cleethorpes). [6] It was rated U by the British Board of Film Classification for "mild fantasy violence"[7] North America[edit] The film was licensed for distribution in the United States by the Weinstein Company on 13 February 2007, during European Film Market at the Berlin International Film Festival. [8] However, as of September 2008 – over a year later – no plans to release the film in the United States had been announced.
[1] The character designer and animation director was Kazuto Nakazawa, with the series story created by Shinji Obara and Yukihiko Tsutsumi of Office Crescendo. The scripts were written by Obara, Dai Satō, Touko Machida, Keiko Nobumoto, Seiko Takagi, Ryota Sugi, Nakazawa and Watanabe. [6][7][8] The first seventeen episodes of Samurai Champloo premiered on Fuji TV on May 20, 2004, with its broadcast being cancelled on September 9. [2][9][10] The series, complete with the remaining episodes referred to as a "second season", was broadcast on BS Fuji from January 22 to March 19, 2005. [3][11][12] It saw subsequent international broadcast on Adult Swim (United States),[13] Razer (Canada),[14] SBS TV (Australia),[15][16] Animax (mainland Asia),[17] and Viceland (United Kingdom). [18] The series was first released on DVD by Victor Entertainment
through its JVC label
across thirteen volumes between August 21, 2004, and August 25, 2005.
Chan is
also a common way for girls or women who are friends to refer to one another. But if a guy in a romance anime starts referring to a girl as chan, that means he thinks she’s cute and is probably developing feelings for her. Basically, my personal rule-of-thumb boils down to kun being boy-ish and for buds, and chan being girl-ish, cute, and playful. Sama Sama is basically the intense version of san.
Like san, it’s gender-neutral, but it holds a much higher degree of deference. As such, it’s often used to reflect social rank and tacked onto people like kings (“Bossu-sama,” like the king in Ranking of Kings), princesses (“hime-sama” – think Zelda), or god (“kami-sama,” like God Eneru in One Piece).
