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[18] Netflix also started streaming the series starting January 22, 2021, in the United States. [19] An English dub produced by Aniplex of America and Bang Zoom! Entertainment[20] premiered on Adult Swim's Toonami programming block on October 13, 2019. [21][22][c] Funimation began streaming the English dub on December 8, 2020. [24][20] Season 2 and anime shorts[edit] Main article: Demon Slayer: Kimetsu no Yaiba (season 2) The second season ran for two consecutive cours, beginning with a seven-episode television series adaptation of the "Mugen Train" story arc, broadcast from October 10 to November 28, 2021. [25][26] It included an original first episode, as well as new animation cuts and background music that differ from the film adaptation. [27][28] Demon Slayer: Kimetsu no Yaiba – Entertainment District Arc (鬼滅の刃 遊郭編, Kimetsu no Yaiba – Yūkaku-hen) premiered on December 5, 2021, with a one-hour special,[29][27] and finished with its 11th episode on February 13, 2022. [30] The main staff and cast members from the first season returned to reprise their roles. [31][32] The series was broadcast on 30 stations and channels, including Fuji TV and Tokyo MX, covering most of Japan. [33] According to Jason DeMarco, Adult Swim executive producer who oversees the block, the success of the Mugen Train film initially made further seasons of the series too expensive to acquire for broadcast. [34] Two years later in October 2023, Adult Swim announced that the English dub for Mugen Train Arc would broadcast on its Toonami block beginning on November 12 of the same year. [35] A month later, it was confirmed that Entertainment District Arc would also air beginning on January 14, 2024.

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Returning from the Abyss can be dangerous as "the Curse of the Abyss," a mysterious and potentially fatal malady, manifests upon ascension. The deeper one goes, the more acute the effects of the curse; few who have descended into the lower regions have returned to tell of their experiences. Some legendary Cave Raiders earn the title of White Whistles, one of them being Riko's mother, Lyza, who is presumed dead after taking a "last descent" into the Abyss. Riko's longing in life is to follow in her mother's footsteps and become a White Whistle. One day, she discovers a half-human/half-robot boy in the first layer of the Abyss and names him Reg (after a dog that Riko owned). Riko and her friends sneak Reg into Belchero and quickly welcome him into their close-knit group. Sometime later, a number of findings are made from the depths of the Abyss, including Lyza's White Whistle and pages of discoveries and observations she had made, as well as a message presumably for Riko, stating she is waiting at the bottom of the Abyss. Riko, determined to find her mother, bids farewell to her friends and secretly departs into the Abyss with Reg as her companion. Media[edit] Manga[edit] See also: List of Made in Abyss volumes Written and illustrated by Akihito Tsukushi, Made in Abyss started on Takeshobo's Manga Life Win+ (later Web Comic Gamma) website on October 20, 2012. [6][7] Takeshobo has collected its chapters into individual tankōbon volumes. The first volume was released on July 31, 2013. There, see, it’s subversion, you didn’t see that coming. At least until you realize he was holding back the whole time. He could defeat them with one punch as well, and didn’t for some bullshit philosophical debate, which just like everything else does not lead to something. You just have to accept that about the show. There is not much thought put into its conception, since characters are one pun jokes, and cities are named with single letters. There is no world building, and there is no consistency, as monster factions keep appearing out of nowhere. How the hell was humanity fending them off before the hero association was formed? You get no answer because there is no answer. The author didn’t bother to think of one. How about the concept of heroism, which just like in My Hero Academia, that other super original show which does things like none other, is all about popularity instead of good deeds? How is that thought-provoking when it’s also used for nothing more than cheap laughs? There is no in-series exploration on the topic of heroism, so where the hell is the deconstruction, besides in the minds of the pretentious overthinkers? What I am trying to say all this time is that there is absolutely nothing special about this show. Everybody who watched it after the hype died, was completely disappointed with how unfunny and boring it was compared to what they expected from a show that was once in the top 10 of all major databases. One Punch Man is just another example of a bland show that got overrated by sakuga tards, before all of a sudden being considered awful because the second season will no longer have pretty colors.