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Love it! One of the greatest things animated is Oikawa's jump serve. It's so fluid it's
almost hypnotizing. One thing
that bothers me is the setting. The ball isn't
supposed to spin when you set! It'll be a violation. However, I'm just being picky. After that nothing to dislike. Sound Great as well. The first opening was amazing! I thought it was out of placed at first but i grew
accustomed to it and began loving it. Also, the characters' voices match perfectly to their personality. Kageyama has a tough serious tone. Hinata has a high pitched enthusiastic tone.
Ultimately, these conflicts are meaningless because everyone just moves right onto the next equally tedious and overblown stage of the Squid Game while effectively nothing has changed or evolved in any real or emotional terms, and this is all true
even despite the biggest puff of smoke the series insists on blowing up its own ass: the plot twists. The so-called plot twists in this show are completely empty and have no real bearing on the story in the same way that the conflict has no real bearing on the plot, and some of them—many of them, in fact—are invalidated within minutes. They exist purely for characters to have an excuse to make an edgy face.
Things will be moving toward the single OBVIOUS direction, someone will randomly pop in with some utter buffoon shit which, in the mind of any reasonable fucking person on the planet, would only make themselves seem more suspicious than the person they’re accusing, but everyone will just be like, “OMG that’s so smart! I didn’t even think of it like that! So let’s all adopt that line of thinking now and go the complete opposite direction so the contrivance that is this stupid fucking game can keep being turned into a shitty anime!” It’s SO all over the place with who is and isn’t playing 4D chess! In one set-up, one character will be a smirking, Machiavellian edgelord engineering the psychology of everyone around them, and in the next, it’s someone completely different. Whoever needs to be the devil on the shoulder of whichever character can successfully become so instantly, and if the person they need to manipulate actually had their wits about them in previous scenes, their wits will very quickly be not-so-about them, and they’ll prance
blindly into whatever trap they need to prance into to keep the contrivance train rolling. The resulting mess is too frustrating for words, and while the characters are all horribly written, I guess the show succeeded in making you emotionally engage with them anyway, because their braindead decision-making will—I promise—make you want to tear your Goddamn eyes out.
While some honorifics
such as -san are very frequently used due to their gender neutrality and straightforward definition of polite unfamiliarity, other honorifics such as -chan or -kun are more specific as to the context in which they must be used as well as the implications they give off when attached to a person's name. These implications can only be translated into English using adjectives or adjective word phrases. Other titles[edit] Occupation-related titles[edit] Main article: Corporate title § Japan and South Korea It is common to use a job title after someone's name, instead of using a general honorific. For example, an athlete (選手, senshu) named Ichiro might be referred to as "Ichiro-senshu" rather than "Ichiro-san", and a master carpenter (棟梁, tōryō) named Suzuki might be referred to as "Suzuki-tōryō" rather than "Suzuki-san". In a business setting, it is common to refer to people using their rank, especially for positions of authority, such as department chief (部長, buchō) or company president (社長, shachō). Within one's own company or when speaking of another company, title + san is used, so a president is Shachō-san. When speaking of one's own company to a customer or another company, the title is used by itself or attached to a name, so a department chief named Suzuki is referred to as Buchō or Suzuki-buchō. However, when referring to oneself, the title is used indirectly, as using it directly is perceived as arrogant. Thus, a department chief named Suzuki will
introduce themselves as 部長の鈴木 buchō no Suzuki ("Suzuki, the department chief"), rather than ×鈴木部長 *Suzuki-buchō ("Department Chief Suzuki"). For criminals and the accused[edit] Convicted and suspected criminals were once referred to without any title. Still, now an effort is made to distinguish between suspects (容疑者, yōgisha), defendants (被告, hikoku), and convicts (受刑者, jukeisha), so as not to presume guilt before anything has been proven.
