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"[23] Jonathon Wilson wrote for Ready Steady Cut that in "many ways, this is the Cyberpunk story the Cyberpunk game wanted to tell and couldn't. "[24] Matt Kim of IGN praised the exploration of the hostile life in Night City, specifically the visual effects, noting more of the focus was on the city rather than on some of the characters, and calling it "a wild ride, but worth every blistering second". [25] In a review for Polygon, Kambole Campbell praised the "visual language for various in-game concepts," as well as the "sonic diversity in its score" and found that the show's best aspect was "[its] ability to depict the psychological unmooring of its characters
without feeling inauthentic. "[26] Video game director Hideo Kojima lauded the show as well, calling it "a miracle of squeezing the trigger to the world", and compared the art and world design favorably to the 1990 OVA series Cyber City Oedo 808. [27] Mike Pondsmith, the creator of the original Cyberpunk role-playing game also praised the show, writing "It's like seeing my brain in a big screen anime. "[28] The publisher of the tabletop Cyberpunk game, R. Talsorian, announced plans for an Edgerunners-based expansion in November 2022. [29] Accolades[edit] Year Ceremony Category Result Ref. 2022 IGN Awards Best Anime
Series Won [30] The Game Awards 2022 Best Adaptation Nominated [31] 2023 50th Annie Awards Best Storyboarding – TV/Media (Yoshiyuki Kaneko for "Let You Down") Nominated [32] 9th Anime Trending Awards Sci-Fi or Mecha Anime of the Year Won [33] Best in Original Screenplay (Masahiko Otsuka and Yoshiki Usa) Won 7th Crunchyroll Anime Awards Anime of the Year Won [34] Best Character Design (Yoh Yoshinari) Nominated Best Animation Nominated Best New Series Nominated Best Opening Sequence ("This Fffire") Nominated Best Score (Akira Yamaoka) Nominated Best Director (Hiroyuki Imaishi) Nominated Best Main Character (David Martinez) Nominated Best Supporting Character (Rebecca) Nominated Best Action Nominated Best Drama Nominated Best Voice Artist Performance (English) (Zach Aguilar as David) Won Best Voice Artist Performance (French) (Dorothée Pousséo as Lucy) Nominated Japan Expo Awards Daruma for Best Anime Won [35] Daruma for Best Director Won Daruma for Best Action Anime Won 13th Newtype Anime Awards Best Soundtrack (Akira Yamaoka) 4th place [36] Future[edit] In an interview with Famitsu, CDPR community manager Satoru Honma said of Cyberpunk: Edgerunners that no plans exist for a second season but that if ever there would be, it would not be a continuation of the first season but "something completely different. "[37] References[edit] ^ "Cyberpunk: Edgerunners Delivers Ultraviolence with a (Cybernetic) Heart". Paste.
This scene comes between the death of two of her friends for an added gut punch. This is prime real estate for her to develop as a character (the main one at that) before Volume 4 completely has her going nowhere
with this outside of two scenes of her feeling scared and horrible for
what happened, causing her to completely abandon this idea outside of one scene in Volume 5 where she brings up the deaths of her friends. Hell, even that had more of an impact than what happened in this arc, which is still the most emotionally resonant arc in the series!
None of this would matter too much if the characters were dynamic and colorful, cuz that would make it so even if an episode is only there for variety, it’s still engaging. Unfortunately, Dororo’s characters barely go beyond their character archetypes, and the ones who aren’t stock characters often leave a lot to be desired. I already discussed how poorly they handled Hyakkimaru’s development, which is a real shame since there are moments where he comes off as fun, even adorable with how he has to learn to really socialize with others on a level beyond that of a toddler. Dororo, by contrast, is far more lighthearted, sometimes even naive regarding “right and wrong”, as she’s a child. She’s an orphan that has watched her parents die and seen villages burn, and that completely clashes with how naive she is and how horrifying such violence seems to her in the first leg of the show, but she’s still a child. Speaking of clashing, her character trait of being a street rat who regularly attempts to swindle people or make a quick buck makes some of her more gullible actions in later episodes (15) seem entirely out of place. She has two sides to her that are fundamentally at odds with one another at times, resulting in a character that feels weak, on top of feeling shallow. That shallowness is compounded by the lack of development, a trait which only Hyakkimaru and one of the antagonists have any kind of access to (as dodgy as their development is). I know that a lack of character development is one of the tackiest, most misused complaints thrown at an anime, but when the characters are this shallow, and none of the side stories leave any kind of impact on a pair of characters consisting of a child and a person slowly gaining back and developing his humanity, I'm left begging for something, anything to change before completely checking out by episode 18.
^ "Kuroko's Basketball Extra Game Manga to End in Early March".
Anime News Network. December 27, 2015. Archived from the original on December 31, 2019. Retrieved December 31, 2019. ^ "Viz Media Adds Kuroko's Basketball, Haikyuu,
Yona of the Dawn manga". Anime News Network. October 9, 2015. Archived from the original on December 20, 2020. Retrieved October 9, 2015. ^ "Kuroko's Basketball Manga Gets TV Anime Produced by I.
