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chikimato. net (in Japanese). Archived from the original on October 5, 2023. Retrieved November 22, 2023. ^ ニュータイプアニメアワード2021-2022結果発表、作品賞は「ぼっち・ざ・ろっく!」&「劇場版ソードアート・オンライン」. GIGAZINE (in Japanese). October 28, 2023. Archived from the original on December 30, 2023. Retrieved October 29, 2023. ^ "The Best Anime Series of 2023". IGN.

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[15] Due to this approach, pre-production on the series lasted a year. [8] Watanabe had a great deal of creative control and input, including on music selection and editing. [19] The first episode took a long time to polish, being completed around the beginning of 2004, but it and subsequent episodes had an animation quality higher than other series of the time. This was attributed to the working environment of Manglobe allowing for easy communication between staff members, and Watanabe's passion for the project prompting famous staff from other notable anime projects to come on board. The non-standard style of production left some members of staff including Sasaki skeptical that the series would be finished. For the sound mixing, Watanabe wanted the same approach and quality as Cowboy Bebop: The Movie, bringing in sound engineer Masashi Yabuhara who had worked with Yoko Kanno on the sound design of Cowboy Bebop. [8] The fight scenes were choreographed to appear more realistic than other period dramas, which featured a clashing of swords which in reality would chip them. [5] Unique eyecatch artwork was created for each episode based on its themes and content. Woodblock prints portraying the characters, designed by former shojo manga creator Tsubaki Anna, were shown at various points through the series. Nakazawa created the illustration use for sponsor announcements. [39] Scenario and art design[edit] Samurai Champloo was Obara's first time working on an anime series, and Watanabe attributed him with bringing a new style of narrative and pacing to the series. Ippo telling Miyata that his bravery as a boxer is something he trusts in. Later, outside, Ippo was approached by Miyata, who proceeded to tell him that he thinks Sendō can't win against Ricardo. Miyata told Ippo that he trained and sparred with Sendō for five days. He added that while Sendō's new weapon is formidable, there is not a scratch on his face. Ippo praised Miyata for avoid the punches of someone who is about to have a world title match, claiming that he could become a world champion if he keeps it up. Miyata told Ippo that he wishes to refrain from challenging the WBA title, as wanting a world title and wanting to beat Ricardo are two different things. Miyata noted that Ricardo is essentially his improved form, as he is better than him in all aspects, so his chances of beating him is slim to none. Miyata asked Ippo if Sendō, whose punches couldn't reach him, stands any chance against Ricardo. Ippo believed the one with the best chance of beating Ricardo is Sendō. Ippo added that he also believes Miyata and Ricardo have similar traits in their boxing styles, but the more they resemble each other the better the chance that Sendō could beat both of them. Ippo explained that the thing Miyata and Ricardo have in common is their heart.