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jp (in Japanese). Archived from the original on October 29, 2016. Retrieved August 25, 2016. ^ a b c "第2クール エンディングテーマ エミリア(CV:高橋李依) 「Stay Alive」" [Second cour ending theme: Emilia (CV: Rie Takahashi) "Stay Alive"]. Re-zero-anime. jp (in Japanese). Archived from the original on July 5, 2023. Retrieved July 6, 2023. ^ "On Air|Terebi Anime "Andeddogāru・Mādāfarusu" Kōshiki Saito" On Air|TVアニメ『アンデッドガール・マーダーファルス』公式サイト [On Air|TV Anime "Undead Girl Murder Farce" Official Website]. undeadgirl. jp (in Japanese).

January 22, 2019. Archived from the original on January 23, 2019. Retrieved January 23, 2019. ^ "For the First Time, 'MADE IN ABYSS' Comes to Movie Theaters Across the U. S. March 20 and 25 Only".

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Tarble asks his brother for help in dealing with Abo and Kado, soldiers who are remnants of Frieza's army, who are causing havoc on his planet. 05 Dragon Ball: Plan to Eradicate the
Super Saiyans November 11, 2010 November 2, 2010 — This is a remake of the 1993 OVA Dragon Ball Z Side Story: Plan to Eradicate the Saiyans. It was released as a bonus feature with the video game Dragon Ball: Raging Blast 2. The feature was included worldwide, but was not dubbed in the appropriate language. Instead, the feature could only be viewed in Japanese with subtitles. Dr. Gero appears one step closer to ultimate vengeance, but his evil creations have a vendetta of their own! 135 10 "Deadly Beauty" April 15, 1992 September 27, 2000 Vegeta and Android 18 have a showdown on the highway. Trunks and the others are there to help, but the Saiyan prince insists on fighting his opponent man-to-android! Will Vegeta’s overconfidence be his undoing? 136 11 "No Match for the Androids" April 22, 1992 September 28, 2000 In an earthshaking battle, the beautiful Android 18 brings Vegeta to his knees. But before she can deliver the final blow, Trunks steps in to help. Soon an all out war between good and evil begins, and the androids have the upper hand. 137 12 "Last Ditch Effort" April 29, 1992 September 29, 2000 Vegeta, Trunks, Tien, and Piccolo realize a grim truth: unless they can increase their powers quickly, they’ll have no chance against the androids. [73] Mike Dent of Otaku USA Magazine, writing in 2015, praised the music for adding to each episode's atmosphere, in addition to its animation quality and writing. [4] In a 2019 retrospective for Anime News Network, Matthew Roe states "the mixture of hip-hop aesthetics and classic samurai tropes seems like a more awkward fit than Bebop's effortless fusion of jazz and science fiction" and further criticized a lack of emotional resonance, but felt the direction of Watanabe and Manglobe kept the series going. [2] Reuben Baron of The Verge, writing in a 2021 article on Watanabe's work, called Samurai Champloo the director's second most popular work after Cowboy Bebop, citing its humor and themes as positives. [114] The ambient soundtrack was ranked by IGN as tenth among their Top Ten Anime Themes and Soundtracks of All Time. [115] Notes[edit] ^ In North America through Crunchyroll (formerly known as Funimation) and in Australia through Madman Anime. References[edit] ^ a b "Samurai Champloo Complete Collection".
[5] Henry Ma of Ka Leo O Hawaii praised the series' humor and art, noting that the latter was "very nice" and was similar to Fairy Tail. [123] Danica Davidson of Otaku USA noted that the first volume showed promise and recommended it for fans of action/adventure shonen manga. [124] Matthew Warner from The Fandom Post, in his review of Volume 1, stated "With a likable enough main cast and a seemingly solid world, this volume gets the series off to a nice start. "[125] Leroy Douresseaux of Comic Book Bin said that the story reminds him of some of his favorite shonen manga and has an intriguing backstory and internal mythology, calling it "one of the best new series of the year for young readers" and giving it an "A" rating. [126] Dale Bashir of IGN Southeast Asia praised the series for its fast and engaging pacing, action sequences, and presentation of female characters on equal grounds compared to their male counterparts, calling it the "perfect encapsulation of the strengths and weaknesses of the shonen genre as a whole. "[127] However, not all critics were positive, with a board of comic book writers at San Diego Comic-Con listing the manga as one of the worst from 2016.