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[19][6] It has also been called a "genre-busting space Western". [20][21] The musical style was emphasized in many of the episode titles. [22][23][24] Multiple philosophical themes are explored using the characters, including existentialism, existential boredom, loneliness, and the effect of the past on the protagonists. [16][25] Other concepts referenced include environmentalism and capitalism. [26] The series also makes specific references to or pastiches multiple films, including the works of John Woo and Bruce Lee, Midnight Run, 2001: A Space Odyssey, and Alien. [23][27][28] The series also includes extensive references and elements from science fiction, bearing strong similarities to the cyberpunk fiction of William Gibson. [29] Several planets and space stations in the series are made in Earth's image. The streets of celestial objects such as Ganymede resemble a modern port city, while Mars features shopping malls, theme parks, casinos and cities. [27] This setting has been described as "one part Chinese diaspora and two parts wild west". [18] Characters[edit] See also: List of Cowboy Bebop characters Main cast from left to right: Jet Black, Spike Spiegel, Faye Valentine, Edward, and Ein The characters were created by Watanabe and character designed by Toshihiro Kawamoto. Watanabe envisioned each character as an extension of his own personality, or as an opposite person to himself.

Babies, moe anthropomorphisms Senpai (先輩、せんぱい) Senior Senior colleague and student or classmate Sensei (先生、せんせい) Teacher / Master (in the sense of "master and disciple") / Doctor / Professor Used to refer to teachers as well as people who are experts in their respective fields, whether doctors, artists or lawyers. Hakase (博士、はかせ) Doctor or PhD Persons with very high academic expertise Heika (陛下、へいか) Your Majesty Emperor, Empress, Empress Dowager or Grand Empress Dowager Denka (殿下、でんか) Your Imperial Highness Princes and princesses of the Japanese Imperial Family Kakka (閣下、かっか) Your Excellency Used to address non-royal heads of state and government and other high-ranking government officials (ambassadors, cabinet ministers, and other high officials such as the United Nations Secretary-General or generals in an army). San[edit] Endō-san tanjōbi omedetō (Happy Birthday, Mr. Endō) San (さん), sometimes pronounced han (はん) in Kansai dialect, is the most commonplace honorific and is a title of respect typically used between equals of any age. Although the closest analog in English are the honorifics "Mr. ", "Miss", "Ms. ", or "Mrs. ", -san is almost universally added to a person's name; -san can be used in formal and informal contexts, regardless of the person's gender. [2] It is also commonly used to convert common nouns into proper ones, as discussed below. San may be used in combination with workplace nouns, so a bookseller might be addressed or referred to as hon'ya-san ("bookstore" + san) and a butcher as nikuya-san ("butcher's shop" + san). San is sometimes used with company names.

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This impacts the other six of the group as they start to resolve their problems while suspending the project until Shoya awakens. Once he recovers, Shoya reconciles with his film crew and finally completes the film, which, while a failure, has greatly helped him and his friends. A year after their high school graduation and their subsequent parting ways, the seven reunite for the Coming of Age Day. By then, Shoya has stopped ignoring the people around him and now has a lot of friends. [2] At the end of the Age Day, Shoya and Shoko are seen going into their elementary school reunion together holding hands so that Shoko will feel less nervous. Characters[edit] Shoya Ishida (石田 将也, Ishida Shōya) The main character and narrator. In elementary school, he leads his class in bullying Shoko for her deafness. When the bullying gets the attention of higher school authorities, the class turns Shoya into a scapegoat so they will not have to also take responsibility. As a result, he becomes ostracized and bullied by his former friends. Shoya starts to ignore those around him (imagining them with a large blue X across their face). Upon meeting her in high school, he eventually apologizes to Shoko, becoming fluent in sign language specifically to do so, and begins to spend time with her. The Espers The Espers, also known as the Numbers (ナンバーズ, Nanbāzu), are three children who are test subjects for the secret project. They are the only survivors of the test, following that of Lady Miyako (No. 19), and given numbers between twenty and thirty. No. 23 was shown in the final chapter to have been amongst those "in whom the power awoke" but "were left with crippling handicaps". At the time of the story, test subjects Nos. 29, 30 and 31 are not mentioned, Nos. 32, 33, 36, 37, 38 and 40 had died from brain injuries during treatment and Nos. 34, 35 and 39, who was in the secret base when Akira destroyed Neo-Tokyo, were subsequently listed as missing (they do not appear in the story). Akira was the only one of this generation with true power, with the others being evaluated as "harmless" (their considerable powers notwithstanding; they did not, however, represent a destructive threat of Akira's magnitude). The three have the bodies of children but chronologically are in their late 30s.