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After recovering, Ippo was soon stopped again by getting pushed by Yamada's shoulder and getting hit with close ranged body blows. Ippo began to block his body blows until his guard was opened again by the previous tactic, leading Ippo to get hit by another solar plexus blow. With Ippo at the ropes, Ippo was unable to stop Yamada as he used the tactic a third time. Ippo trying to catch Yamada as he falls. As Ippo got attacked after the third solar plexus blow, he acknowledged that Yamada had gotten strong, however, he wanted to teach him the feeling of the first loss. Ippo stopped Yamada's attack, then proceeded to open and lower his guard into the Brawling Style stance, inviting Yamada to attack. Ippo received many hits after Yamada accepted the invitation until Ippo, after many exchanges between both, landed a liver blow on Yamada, sending him down. When Yamada got up, Ippo blocked Yamada's one-two and liver blow. Ippo then successfully delivered a one-two and liver blow of his own, along with a combination of attacks that sent Yamada falling. Ippo attempted to catch Yamada's fall, however, the referee stepped in and signalled an end to the match, resulting in Ippo's second JBC title defence win. Ippo was interviewed, and he commented that he did not want the match to last long and that, while it was painful during his first loss against Date, it taught him a lot about boxing.

[permanent dead link] ^ "オーバーロード (5)" (in Japanese). Kadokawa Shoten. Archived from the original on December 2, 2021. Retrieved November 14, 2017. ^ "Overlord, Vol. 5 (manga)". Yen Press. Archived from the original on April 2, 2022. Retrieved April 2, 2022. ^ 陰の実力者になりたくて! (6) (in Japanese). Kadokawa Shoten.

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As expected, this show is animated by 80% freelance talent from Shingo Natsume's friends list, and the names he continues to attract despite post-2011, post-Maruyama Madhouse being such a dilapidated ghost town never ceases to amaze me. Sonny Boy’s commitment to hand-drawn, non-digital stylization is worthy of everyone’s applause, and the work of art director, Mari Fujino, another genius to come out of Studio Pablo—such as Yuji Kaneko and Seiko Yoshioka, just to name a few—is stunningly beautiful and goes hand in hand with Natsume’s atmospheric tone. Every episode is endless wallpaper fuel, filled to the brim with cool, memorable shots, beautiful backgrounds, and excellent music which compliments the ambiance perfectly. I repeat, the messages delivered by each episode are pretty obvious and a little on the nose, but if I’m going to concede a single point to the people who are calling this show confusing, it’ll be this: what makes Sonny Boy a bit more difficult to watch than your average anime is how little is spelled out. We’re treated to so many short moments, gestures, and facial expressions which all tell a little story in and of themselves, and they exhibit character development in a nuanced manner any other show would devote five minutes to explaining with overwrought, melodramatic dialogue. But this is something I really liked about it.